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1923 
jJan.16 
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Jean Joseph’ Benia- 
les “H. Parke, agent. . 
apes “by, Alfrec 


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: Be de 22e00 EVE Py 


i “eine 


8 of valu- 
“bi” masters of | 
contemporaneous 


“French, Dutch and English 
schools, also the beautiful marble 
sculpture, “Eve in’ Despair,” by 
Rodin, realized $93, 460 for ila 
one items.* 
Art lovers, private puyers aad 
practically all well-known deal->. 
ers were in attendance. Bids 
| were comparatively ‘high, though. 
| below previous sale prices for. 
some of the more noted works. 
“Bve in Despair” went to Fredo 
| Sides for $2,900. The life-sized 
nude figure, of beautiful model- 
ing, is one of the finest works of 
the great master. 
 Daubigny’s “On the Oise,” 
which sold in the James H. Steb- 


Lip $2, 400 gre 
; Maric’ Dieterle, 


eae: wane Eat 
- by Henri 


m Mr. Berit: agent 750 
ues Henner; Rals- 


eee BALE 50 
Rico; Robert c bins sale in 1889 for eat 
ae ere Sr erbe gi eaallp in co's Fiss 625 iSO, ; 
Sean ents Beer: a in the H. F. Hen ¥ in 


iterate secon ec eec ees 523 for $14,600, went t% 

} axa Van | ~—- Ga, for $5,900. L’ Hern 
ihe: ee | Reaper’s Lunch” haar : 

, WA: MAC. Allan...:,.. 500 | competition. It sold in the 
High er sheen, by G| Schrauf. sale for $11,500. John 

tithe etesacerens te Levy Galleries obtained it for 

eee ee 0004 8©— | 9 8800..-- 

racy by Si thomad | ee awe! ee ne 
zs ap. ep CO dries et VOD | pa y Albee for e 

eh ty nase “525 | Ziem’s “Fishing Boats Near Mar- 
'  geilles.”” The bidding went from 

$4,000 up to $8,000, a competition 

between two bidders. 

| Following are the catalogue 

numbers, subjects, purchasers 

and prices obtained for others of 

the more important pictures: 

6-—-Corot's 8 Pe cra Se and Fig- 


by HG. 3 os | 
BNC SS Ea a a 575 
wen, by Jean Charles. 


Nouoe Man, by Arent ie 
rt G. TEABALE Fs. hie Wis wt ane ert ey 


i jarvalilo.. 25 
nd Fruit, by Jean Baptiste 
EER ertrage yo. owe wun og kes 500 


ures: 4 Melby cares ae $4,600 
nt the at wa vy Henri Lerolie ; eb [LI aupigny's Miri lvcsdi ay aie 00 
PARES LOOT a.siy oe GUT eo sie ¥ 9 19—Corot's Of makes) e With. ‘Pig: 1 
the @Grep, by Jean Charles oe 
Baie eatial Seth OO oy fed fuid River View": 8. FA | oo 
nd of the Day, by Benjamin Will- [4a Siok mee “Sh , 
9 Leader, R. A.; MeClure Halley... 695 42 ‘ zie Aoliana’”: “eae \ 
‘a in the Pasture, by Emilé Van WESC wale, di a8 Pisa ee woes 3.900. \ 
ent. I. “AIDCC si. 5 se te Ce erase 4,400 epee” 
f Returning Flock, by Charles ae ad ? 
{ que;.C. H. Meintard...... 1,700 


William Adolphe” 'Bou- 
nomas-B, Pinger...--,.... 0 775 


aT 


Ribee Leads Bitainge with 
«$8, 000 for a Ziem—Rodin’s 


i “Eve, in Ra ALES $2,900 
_ Ninety4pne paintings q. 
| ish, Italian, American, Dutch aed Eng- 
lish artists and Rodin’s marble, “Eve 
‘in Despair,” were sold fora total of $93,- 
460 by Thomas E. Kirby at the American 
Art Galleries on Jan. 16. They were 
| from various owners, including estates. 
Ziem’s “Fishing Boats Near Marseilles,” 
/No. 83 in the catalogue, brought the 
highest price, E. F. Albee paying $8,000 
for it. The next highest price was $6,300, 
paid by John Levy for Lhermitte’s “The 
-Reaper’s Lunch,” which had _ brought 
$11,500 at the Schaus sale. Rodin’s fig- 
ure, executed on commission for the late 
Samuel P. Colt, was taken by -Fredo 
Sides for $2,900. The complete list : 
1—“Mine Ease in Mine Inn,” ‘Chas. Meis- 
sonier, Arlington Galleries.............$70 
- 2—“TLandscape and Sheep,” Ticeac: Mrs. 
Oe MACKIE Jt. 2 seep ein. --- v's -$07D 
8—“landscape with Church,” Harpignies; © 
Ye _Bernet, delents cts Aaitigys 1 a eee $750 
4—“Nymph, a eae” Ralston Galleries. $500 


sesame Guard,” oa Otto Bee 
net, agent ......ese5. . - $300 
6—“Venice,” Rico; Robert G Elbert. . «$625 


-7—Female Head, Henner; H. Schultheis. $525 
- 8—“‘Dordrecht, Holland, »” water color, Sir 


_ Alfred East; K. Ralph ate hee $270 
9—Portrait of J. B. C. Corot, W. Manton; 
r-Charies | B. eae Dig i ee ae eee $130 
10—‘‘French > Landscape,” Lepine; Ralston 
MAT eCGSimetiere rs avin sislaleiele «3 ee se e+ 0 
11—“‘The Music Lesson,” unknown early 
_ Dutch master; J. a 1 
12—‘“‘Cattle in Pasture,” van Marcke; Robert 
(Sg TRG = ad ds COSA ee COCR Cro ieee 


13—“The Weekly Paper,” ‘E. if, “Henry; M. 
~C. Allan $500 


14—“‘Highland Landscape and Sheep,” Rosa 

Bonheur; McClure Halley............- 9 

—“A Brittany Landscape,” Emile Lam- 
mets A> “Austin. ...0.00.5-. mei aearee $26 
—16—‘*‘T vandscape and Figures,” Corot; E. Pi6r 


Bell 
17—"The ‘Creek, Sa Daubigny; 6. F, Stephens, 


> 


18—“Love Triumphant,” Diaz; S. ze Ste- 


Ae ea Cid a araie4 ela“ . «$2,000 
—‘Landscape with Figur CS.i5 e: iver 
view” Corot; . Stegfffens....... 4,600 


20—‘‘Gathering Wood, ” Ma ; 


& Co. (oo oS RS. SSae A 
20A— ca “Deer in the | Wodtts 6sa Bon- 
. heur; McClure Halley........+-+.++.:- $300_ 
21—“‘Milking Time,” water color, Maris; 
ohn 3S SS ae: Sere 
(22—“Landscape in Holland,” water color, 
Bede. Bock: 9G, Hlbert.......ecesss-s00-- 
23—“The Unexpected Visit, ad RE i 
MRUMPESEATICNG Ca. ccc ces guccceessscse | 
24—‘‘Princess Metternich, ee Lawrence; 1m oe | 
RE isis sigue 6 p 0.6 6 0 Blaie Adve ee 0 es 6 0 oe ae 
25—“‘Lady of the “Court ‘of * Charles oF 
| Lely; David A. Reid.............-+--+. 
26—‘‘Portrait of King James erst Vat Cung 
Ss. WP oANNOs. dies Fads cn evescess 
Bee Sp erait of a Lady,” Federico faite | 
caro; SS Carvalhocenencs stances sce $200 
98—Portrait of a Man,” ‘Dirk Hals; S. ay 
. EVEINO eno c ec tele esos ence ncce $220 


| 29—‘‘Holland Landscape,” Jan van ae 


MUA RE es cess oo hiseleis 1s sais © © 9 0/0'0" ee 
30— Windmill in Holland,” water color, 

V. Banffe; Robert G. Elbert Oo Bias % oe $170 
31—“‘Homeward Bound,” water color, 
Mauve; Winthrop Taylor... Soret a, $525 
— Dupre; Kraushaar CAT 


a 


ete AG De ae ee $600 
— “The Pet Cat,” F. A, Bridgman; G. E. | 
Tigein SOTO RES CR SEINE Ie OE $140 © 
50—“‘Landscape,” Georges Michel; I. M. 
ERGIMEV EL eres buries os! 0 0 Gels ia-coi'e,w are aati Tate. 8 6 4.6 $350 
51—"'The “Boy and the Muse,” = H. 
WNPCet eA a TAY... obec siclaue ce sists ele bia $200 
52— Morning at the Farm,” Henri Lerolle; 
aod eat Ke. yh acces wise one eee $90 
58—“‘Gathering the Crop,’ Cazin; H. K, — 
PP EOUGLES Pacts bo ses seh 6-305 Saree . +. $1,800 
54—“*The Approaching Storm,” Decamps; 
Re AUSTIN Ss ctelkic selec s.ec0 6 6 00s same 300° 
Pane Vintage Harvest,” Aime Perret 
S. P. “Delano.s.. ss. s'. 3 -¢ oo $220 
56—‘‘Little Girl in White,’? Alexis Harla- 
MO t,o ¥. Albee. . 2s. ..3 5 siemens . $270 
57— Tivoli,” Vernet; F. K. Towne..... $250 
58—Autumn Landscape,’ Joseph Wood- 
Becwells Robert. G. Elbert... sawoemem cs: obs $160 
59—“The End of the Day,” B. W. Leader; 
oer Halley Sg sie-s 6) 0 o's 6 ReemMnMIEE 5. oserte 695 
—“*“A Farm in France,’ Henri Lerolle; 
ry. PW OO sires sia ars cic <.s 3.0 0 6 v6 0S eReEEMEEERS - $3 
Oats a Moorish Garden,” J. F. "Raffaelli; 
re, PISS DY 6 oe hes oe a whet e  eee $4 25 
se The Shepherd,” Jacque; Ralston Gal- ; 
AOTNEST sce cone tiesal eis ois + 46s Ree ane nea $2,900 
63—“‘Cows in Pasture,” van Marcke; E. F. 
PS ce ee erececs oie’ a avo oy sie een I 4,400 
64—"*The ae Procession,” Will H. 
Pies Soba 1b 6 oboe bie loheuste sapere oe $4 


O. eeeeeee oeeeeeveeeeveveeaeeerer eee ee 5 
| 35—*‘Shepherdess and. Sheep,” Maes Du- 
‘ pre; Thomas E. Finge feiss 6 $20. 
36_—“‘Leaving the Harbor," P. Mi? we “Clays; 
Robert PUES esa’ ois oa k's. 8 alysis «700 
37—“New ERaiand Landscape,” “John Wes- 
Peleyabeattye EVV. GJ AIMIES. 61.5 eis ane oreo «2 $275 “4 
388—‘“Morning Tasks,” Ridgway Knight; R. 
ORV ON ates 6.4 ee py 3 ccriciese Oe Stree aes $575 
'39—“‘Farm Near Ecouen,’” Cazin; P. A. 
White eee ere eereerenereeseererr eee ore ane $1,000 ws 
40—‘‘Landscape Near Fontainebleau,” Th. pag 
Rousseau; M. Knoedler & Co........ ,600 == 
Bree the Oise,” isin lee Knoedler = 
42—‘“‘Sheep in Pasture: " Holland,” Mauve; 
Remon dl eiea Gere Cc Oautsi eve waetee-sterets alee ister s 8,900 
43—“The Portrait,’”’ Will H. Low; A. Aus- 
Sb de ina 5s Ae ot egh EE AOS? Re APO ERCP OL OF Er $120 


45—“*The Cardinal Passes,” C. Detti; E. A. 

IDYSS45 & “Oso Cee WAR er) eee Se ee ee 375 a 
46—‘‘Portrait of a Young Man,” de Geis a= 
Benner eA DCrL.. .. 8s ht eset ome ee $1, 550 =$ 
47—“A Cardinal,’ van Dyck; S. S. Car- 

TULA on 5 ecb a a ne ere eee ee TS $725 


48—“Flowers and Bruit,’ J...Robie;. W. tec 


rE tis ke rh De ol Ce Le et a So ed 


- * = ~ a a 


34— Rigs ee Landscape,” Leon Richet; — 


_44—“Portrait Study,” Couture; A. Austin. $50 


Gra 
—*The ge Nac es Flock,” Jacques Gyo 
eMGohard 


66—‘‘Country Life in , Blan aes Ee ¢ 
Boughtons Gor, Hiegins<)...s ene at 200 
67—‘“In the Garden, - ee Edelfelt; BeoF. 
PUB as ae oe + ss cha Mate ee 425 
68—‘‘Resting,’”’ W. Bouguereau; Thomas E 
ROUPOL SF, tsstieteascck’s «se allo a RMORRT SELES Sos 6 75 
69—“Marine,” water color, W. T. Richards; 
his DSERVE Ve] Fo ia PR eS Re 3 
70—‘‘An Industrious Family,” J. G. Brown; 
MINAS oan PUNO Er.. 14 cde CMA ace $130 
%71—“‘Lady Charlotte Johnson,” Beechey; H. 
He Parke agent, <2) nice eee ce oes $1,200 
— Ann Hyde, Duchess of York,” Sir God- [ae 
Kneller; Thomas E. Finger. sones $275 | 19 rz) a Ss 8 
73—The Honorable Mrs. Bushell,” Rae- REhanaus o% | 
burn; S. Bt CATyaIhi wale wig wir > ss $1,050 |:> - > 2 » Oe 
74—“Empress Elizabeth of Russia,” J. F. & -3% 7 tan * 
Ibaerenees Sou s@arvalhos. se sinc. asv es $650 & tg csi see 
‘75—‘The Captives,’’? Benjamin-Constant; H. s “53 : > eee 
Par re ara Cent rac... 5 56 os hieteiite eis «oes $500 |. 3g 23 -¢ 1m 
'76—“Winter Sunset,” W.’L. Palmer; Dr. 4 -.. sm +b: 0 7) 
De MIME, Ks soo kc eG case ce ds a's $3254 09 5.3 sa 
77—““A May Day, Fifth Avenue,” Words- a PA Se ae 
' worth Thompson; Clapp & Graham..... $650 |. i Ones g ‘aan | 
'78—“Come Here,” Schreyer; Thomas FE. [yp -: sO ter 7 sf 
ROO ee Liha ins 6s «ton sige MRE Sis acm «3 $1,150 |a id is if -Fl 8 
ley, Reaper’s Inch,” Lhermitte; John a eae» ye 
SS) ae i enn aan $6,300 So :o:2: : oem 
al Btang de Jobe, Normandie,” Marie (§ -& -&°-%:-G: 4 
OS ibiceetey PeniIes  StraUss.a wise ess $2,100 KT “mM 38 i420 
81—“‘Venice,” Rico; Robert G. Elbert...$1,450 |. ¢ oes wine a at a 
82—‘‘Dunstanborough Castle,” Turner; Bede as oe 22 
I ot ee ae a eee $2,300 5" Secs” og, | 
83—‘“Fishing Boats Near Marseille,” Ziem; (S> S85 ¢845H | 
OE RE Rea ere $8,000 /5 5 os gs ‘s oa # 
84——“Harbor on Coast of Cornwall,” W. T. lg lale@lalg 
Mienaras; °-P; A. White......6.5eece. SS a 
85—‘ ‘Landscape with Cattle,” Victor Dupre; 
SMES CI M5 wie see piaan ein amma ale wiesn $275 


86—‘‘Rehecca,” Cabanel; G. E. Higgins. $250 


pete contemporary: French, Dutch and 
English schools, belonging to several 
private collectors, including the late 
Joseph Eastman, of ‘New York, ‘realized . 
$93,460. last night. 

_ E. F. Albee, vaudeville magnate, i: 
‘quired Felix Ziem’s “Fishing Boats 
Near Marseilles” for $8, 000—the highest. 
‘price of the session. This vet the 


specimen belong to the esta son of. 
late John B. Trevor, of Nee ork, 
second importanee was | 


‘bigny’s rivet Si eeape, on he 
from the actrian collection, for $5. aoe 
A small Corot, “Landscape With 
Figures,” - from >the IL O. -Rhines 
estate went to E. A. Bell, for a bid bel 
$4,600. §. F. Stephens gave $4,600 and 
$3,000 respectively for Corot’s “Land- 
scape With Figures,” and Daubigny’s 
“The Creek,” both arom the Eastman 
collection. ee 
The marble statue: by Rodin, “Bye 
in’ Despair,” which was made by the 
famous French master on commission 
for the late Samuel P. Colt, was of- 
fered at the close of the session and 
was purchased by Fredo Sides for 
Pay, 0. Breit j 
Other painting went as Motlowns 
“Sheep in Pasture,” by Mauve, to M. 
Knoedler, $8,900; “The Shepherd,” by * 
Jacque, to the Ralston galleries, | 
$2,900; “Landscape,” by Rousseau, to. 
M. Knoedler, $2, 00; i Dunstengonee es 
“Castle,” by Turner, to K. Stetson, 
$2,300; “L’Etang de Jobe,” by Dieterle, 
to Charles Strauss, $2,100. 
A group of fine animal bronzes by < 
Antoine Barye featured the afternoon 
sale, which was held:for the account of. 
several private collectors. The forty-. 
six works disposed of brought a total 
/ of $20,360. ci. Tw 
The bronze group “Mounted a, ri 
Killing Lion,” frov the Mrs. Hamilton | thy 
Carhart collection, was sold for $2,800. th 
to an agent for a. private purchaser, 
Another group, entitled “Theseus Slay-. ; ie 
ing the Centaur,” from the same ee | , 
lection, brought $2,100. The same 
buyer also acquired,’ for $2,060, the. ite 
bronze i enene, Lion,” and, ct Leh 
a 


, $1,250, “Theseus ying the Minotaur.” 
ft McClure Halley gave $775 for Barye’s 
ie Tartar Warrior,” and H. S. Simons 
bought Gerome’s gilded bronze statu- 
| ete, “Allegory of Corinth,” for $600, 
| both belng from the Carhart’ collection. 


ES 


ee 


See, ek a ah eae dann cae coer ae oes 
Dutch and English se ools 1 Important Marble Sculpture by Rodin, belonging — 


to several private Collectors, and sold at the American Art Galleries, Jan.16, 1923, 


No. Price Buyer No. Price Buyer 
ice $70. Arlington Gal. 47. $ 725, §.S.Carvalho 
me Dros Mrs.M.D.Metcalf, Jr. 48. 600, W.G.Bertram. 
Bs 750. Bernet, agt.H. 49, 140. G.E.Higgin 
4, 500. Ralston Gal. 50. 350. Mr. Henry 
De 300. Parke Agt. M. 51. 200. A.Gray 
6, 625. Robt.E .Elbert 52. 900. Parke Agt. J. 
Tec 5 EPA H.Schultheis 53. 1,800. H.K.Prichett 
8. 270. K.Ralph, 54, 300. A. Austin 
9. 130. Charles B.Squier SIG 220. S.P.De Lano 
10. 325. Ralston Gal. 56. 270. E.F. Albee 
eile. 100. J.Berliner 5%. 250. Mr. Towne 
12. ER Robt .Blbart 58. 160. Robt.G.Elbert 
oe 500. Mr.Alan,. 59, 675. McClure Halley 
14, 900. McClure Halley 60. NIB IC J.Wood 
153 260. A. Austin 61. 425. F.K.Gifsby 
16% 4,600. . E.A.Bell 62. 2,900. Ralston Gal. 
ald 3,000. 5.Stephens / 63. 4,400. E.F. Albee 
18. 2,000. ug ; 64, 400. Mr. Gray 
19s 4,600. ” 65. 1,100. Mir.C.H.Meinhard 
20. 1,000. M.K.& Co. 66. 200. G.E.Higgin 
ila 310. John Levy 67. 425. E.F. Albee 
Bere 210. ‘Robt.G Elbert 68. This Thos.C.Finger 
ean 140. Wn. Bianchi 69. 370. Miss.M.F.Wickes 
24, 500. E.F.Albee 70: 130. Thos.E. Finger 
ony 200. David A.Reid TL. 1,200. Parke Agt. S. 
26. 160. 5.S.Carvalho 72, 275. Thos.E. Finger 
27. 200. WJ 73. 1,050. §.Carvalho 
28. 220. a 74. 650. " 
29. 210. J.Wood 756 500. Parke Agt. J. 
30, TOs Robt .G.Elbert 16% eens Dr.C.Williams 
Ble 525. Winthrop Taylor. Tlie 650. Clapp & Graham. 
One 475, Kraushaar Gall. 18s SO Thos... Finger 
Bale 425, Thos.E.Finger 79. 6,300. John Levy 
34. anos Mr. Alan 80. 2,100, Chas. Strauss 
SD. 200. Thos.#.Finger (SH 1,450. Tobt.G.Elbert 
Ble 700. Robt .G.-Rlbert 82. 2,300. K.Stetson 
Ble 275. W.James 83. 8,000. E.F.Albee | 
38. DD. R.E.Wigham. 84, 475. P.A.White 
39) 1,000. P.A.White 85. 21096 A.H. Altschul 
40. 2,600. M.K.& Co. 86. 250. G.E.Higgin 
41. 5,900. " 87. 150. B.C.Yernon - . 
42. 3,900. Li 88, 100. P.Dressler 
43. 120. A. Austin 89. aie, A.F.Leussen 
44, 50. 90. 1,200. P.A.White 
45. 375. E.A. Dexter 91. 2,900. (Rodin) Friedo Sides. 


46. 1,550. Robt.G.Elbert "Eve In Despair" (marble) 


eur WeC. 


23. Estorbach 
24. Lawrence 
25. Lely 

26. Van Ceulin 
27. Zuccaroe - 
28. Dirk Hals 
29. Van Essen 
30. BenfY¥e 

Sl. Mauve 

S32. Dupre 

33. Mauve 

34. Richet 
55. Dupre 


Se 


icy nice > aah ty | 2" 
© Motiure: Halley 


. 5. Horpignies - Bernet, Agent 
Sb ‘Ralston Galleries 
De “49 euville iM. Parke, Agent 
Rico \ © Robert G. Elbert — 
«aren nec She a: a 
Serius ore Charles B. Squier 
as _ Ralston Galleries 
Ll. Unknown Dutch Master tt, J. Berliner aes 
= woe Marcke ee z Robert G. Elbert : 
a“ Stoel Be ip is Mr. Alan | es 
. eur : McClure Halley a 
‘OFigiaaa MK7134. Sold a bcmad aca an 1894 
* z for $4250. SMO S gh he i 
15. Lambinet xy 
16. Corot (?) zs postin, 
; na In our Spinion an absolute forgery. 
17. Daubigny re Stephens 
oT the ig dley sale 9 1891 Mr. Eistnen paid ~ 
peouUe Lor it. 
18. Diez S. Stephens 
19. Corot S. Stephens 
A charming luminous picture with the label 
on the etretcher of Goupil and B.V. & C. 
20. Mauve M. Knoedler 
We originally sold this to Mr. Eastman in 
Dec. 1896 for $3000. We bought it joint/ 
Account with Levy. 
21. W. Maris John Levy 
22. de Bock Robert G. Elbert 


Wm. Bianchi 

E. F. Albee 
David A. Reid 

S. S. Carvalho 
S. S. Carvalho 
S. S. Carvalho 
Je Wood 

Robert G. Elbert 
Winthrop Taylor 
Kraushear Galleries 
Thomas E. Finger 
Mr. Alan 

Thomas E. Finget 


1000. 


3510. 
210. 
140. 
500. 
200. 
160. 
200. 


B20. 


210. 
170. 
525. 
475.6 


~ 425. 


BEB. 
200. 


a 
; 
> 
ie | 
5 
4 


39. Cazin (9) 


80. Rousseau ” 


41. Daubigny 
42. Mauve 


43. Low 

44. Couture 
45. Detti 
46. De Gelder 
47, Van Dyke 
48. Robie 
49. Bridgman 
50. Michel 
51. Walker 
52. Lerolle 
53. Caizin 


54. Decamps 
55. Perret 


56. Harlamoff 


57. Vernet 
58. Woodwell 
59. Leader 
60. Lerolte 
61. Raffaelli 
62. Jacque 


ox 


1879 for 
iong ago, we had 


but Mr. Rhines re 


BSeyine that nae 


so we returned him the picture. 


- 
7 Any 


We bought this picture joint/account with 
inally sold this painting to 

in 1863 for $700., and at 

re Eastman paid 


Levy. We ori 


Mr. Aaron Hea 


his sdle in 189 
it. 


We bought join 
a bid for it. 


. Robert cg. m 


t/account with 
In the J. H. 


M. Knoedler 


M. Knoediler 


for $15,100. our No.11990, 


Bought joint/acco 


1878 Pond sold this picture, MK1373, April 
2 When we had it on sale not 

an offer of $12,000. on 2 i 
give us a commi 


ee 


We really think tht this picture is not 


genuine. 


fused to 


wowmdia 


M. Knoedlex 


unt with J. Levy. 


A. Austin 
A. Austin 
Ke Ae Dexter 


Robert G. Elbert 
S. S. Carvalho 


We G. Bertram 
G. E. Higgin 
Mr. Henry 

Ae Gray 


J. Parker, Agent 


H. K. Prichett 


A. Austin 

S. P. De Lano 
E. F. Albee: 
Mr. Towne 


Robert G. Elbert 


McClure Halley 
J. Wood 
F. G. Figsby 


Raiston Galleries 


bert <a 


oes who had 
ebbins Sale 

1889, No.62, it brought 85100. Afterwards 
in the H. s. Henry ead age 


1910 No.7, we paia 
$14,600. and s.1d it to Mr. Enstmin Feb. 1910 


— 
SPR AES ET 
ar eRe 


ae 


PARTICULARS OF SALE JAN. 16, 1923 


62. Jacque (9?) 


-3- 


that I coneluded not to bid 6n.itt; 


It had Schans's Ilnbel on the stretcher 


but that doesn't matter. The Signature 
also appeared queer to ne, 


63. van Marcke 


Be. is Albee 


Original MX4095. We sold this picture 


to Mr. Rastman Dec. 1882 for $5500. A 
very good.work, but peonie do not seem 


to want van Mar 


64. Low 
65. Jacque 
A late work. 


66. Boughton 

67, Edelfelt 

68. Bouguereau 

69. Richards 

70. Brown 

71. Beechey 

72. Kneller 

73. Raeburn 

74. Lagrenee 

75. Bengamin-Constant 


76. Paimer es 
WSs Wun ci 


79. Lhermitte 


eke anymore. 


Mr. Gray 
C. H. Meinhard 


G. E. Higgin 
EH. Fs Albee 


Thomas C. Finger 


Mies HM. F. Wickes 
Thomas G. Finger 
Ss Parke, Agent 
Thomes F. Finger 
8. 5. Carvalho 

tw 


WwW 


Parka, Agent 
Dre Co Williams 


ELerm_ 2, Graham oS 


John Levy 


In the Schsus Sale Jan. 1912, No.292, 
it brought $11,500. Levy bought it on 


an order. 


80. Dietserle 
oa Rico 3 
82. Turner - 
83. Ziem 


Char es Strauss 
Robert G. Elbert 
K. Stetson 

Ee F. Albee 


A Very high’ price for it. 


84. Richards 
85. Dupre 
86. Cabanel 
87. Paimer 
88. De Beul 
89. Hunter 
90. Knight 
91. Rodin 


P. Ae White 
fe. He Altschul 


G. E . Higgin 


B. C. Vernon 
PB. Dressler 
Ae F. Lenssen 
Py Ae White 


Friedo Sides 


Seems very cheap, but as it was so 
larre and clumsy it did not interest us. 


» AUERICAN ART GALLERIES. Gont'a 


$4400. 


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sognlt 6 period 


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CieecieR EE PUBLIC VTE Ww. 
FROM 9 A.M. UNTIL 6 P. M. 


Pet HE AMERICAN ART GALLERIES 


BLOCK OF MADISON AVENUE, 56TH TO 57TH STREET, NEW YORK 
ENTRANCE, 30 EAST 57TH STREET 


BEGINNING FRIDAY, JANUARY 121TH, 1923 
AND CONTINUING UNTIL THE DAY OF THE SALE 


VALUABLE PAINTINGS 


9 BELONGING TO ESTATES 
i AND SEVERAL PRIVATE COLLECTORS 


ee 


| - 
é 
: ‘ : 


TO 


‘gud ® 
ACR. 
Peer E AS Oe ae 
Petar AMERICAN ART GALLERIES 


ON TUESDAY EVENING, JANUARY 16TH 


BEGINNING AT 8.15 O?CLOCK 


“ To. a —— 
Belongin 


Canvases 


Private Collections on View-— 


Fine Rodin Marble Included. 


A marble sculpture by Rodin in the} 


main hall at the American Art Galleries 
is a striking feature of the exhibition 
now on view there. The remainder of 
the display comprises eighty-four paint- 
ings and six water colors, which have 
been assembled from various estates and 
private owners to be sold by Mr. Thomas 
E. Kirby in the Assembly Hall of the 
galleries on the night of Jan. 16. 

The Rodin work is entitled “Eve in 
Despair” and is sixty-eight inches high. 


It was commissioned by the late Samuel | 
P. Colt in 1906 but Rodin did not com-! 
The mood | 
of the title is beautifully expressed in 


plete it until nine years later. 


the bowed head, with the arms enfolding 


it and the face concealed by the heavy) 


hair. 


The paintings, as is natural, 


so many tastes, cover a wide range of 


countries and schools from the Van Dyck, 
De Gelder and Lely, out of the I. Olcott 
Rhines collection, to the Raffaelli, Walter 
Launt Palmer or the Ridgway Knight 
of our own times. Most of these indi- 
vidual collections were formed some 
years ago, and the Barbizon and modern 
Dutch schools are more numerously rep- 
resented than any other. The compara- 
tively few works by American artists fit 
into the taste of the same time. They 
are mainly story-telling pictures, such 


as Boughton’s “Country Life in Eng-| 
from the Joseph Eastman estate, | 


land,” 
and E. I,. Henry’s “The Weekly Paper,” 
from the Rhines © state. 


of an olden time 
American and E;.zlish “antiques.” 


Typical examples of the various artists | 
and schools represented in the collection. 
are reproduced on this page together with | 
“Dunstanbor- | 
“by Turner is one of firsy| 


the sculpture by Rodin. 
ough Castle” 


| earlier pictures and in his most romantic 


London 
Thomas Agnew & Sons and subsequently 
was in the EK. F. Millikin collection here. | 


It was shown at the corporation of 


Loan Exhibition in 1889 bv 


vein. 


“Sheep in Pasture: Holland” is rich in 


the charm of slow movement that Mauve 


always put into his sheep pictures, and 


the sky is filled with the tender light of | 
evening, its luminous gray being accented, 
by the tree in the foreground and the) 


dark notes of the flying‘ birds. 


| The Corot, from the Eastman collec- 
“Landscape with Figures and River 


tion, 
View,” is a lovely type of his literal land- 
“scape art in contradistinction to his classi- 
ical treatment of a similar subject, a 
|superb little example of his art when it 
'was most concerned with a scheme of 
‘color limited to grays and blues. What 
Daubigny could do with a river view is 
shown in the suavely lovely “On the 
Marne,” which is also from the Eastman 


g to Eastman, | 
Heinz and Rhines Estates and to 


coming | 
from so many sources and representing | 


The Henry pic- | 
ture 1s one of Henry’s happiest souvenirs | 
interior filled with} 


| 
| 


ns ee 


londely painted “Gathering the Crop” by 


Cazin and a romantic view of “Tivoli” 
_by Claude Joseph Vernet. 
iF rance” 


“A Farm in 
is a delightful example of the 


work of Henri Lerolle and Sir Godfrey 
Kneller’s “Ann Hyde, Duchess of York” 


is characteristic of the painter and his’ 


favorite type of subject. 


_ Pictures coming from individual own- 
‘ers include “On Guard” by De Neuville, 


‘a single military figure in his best vein; 
the glowing ‘ “Venice” by Martin Rico, a 


“Female Head” shown in profile by Toa 
“The Portrait” by Will H. Low, 
which came from the William T. Evans 


ner, 


Ske J = 


‘ 


sale in 1900; “The Boy and the Muse” by 


| Henry Oliver Walker, another canvas 


from the same Evans sale; “The Vintage 


Harvest” by Aime Perret. 


Will 4H. 


Low’s classical figure painting, “The Har- 


vest Procession,” 


Jacque’s “The Returning Flock,” 


is in this group as are 
the 
“Resting” by Bouguereau and a three- 


quarter length standing portrait of “Em- 


press Elizabeth of Russia” by Le dees 
Lagrenée. 


J. J. Benjamin- Constant is represented 
by “The Captives,” a scene in a room | 
“The | 
“Winter Sunset” by Walter Launt Palm- 
er is one of his familiar snow scenes, 
but more interesting in composition thaa 
There is a superb 
Lhermitte, “The Reaper’s Lunch,” whic 
came from the Herman Schaus sale and: 
which fairly burns with the glowing sun- 


of an ornate Moorish palace. 


most of his works. 


light, the family group having all the 
human charm Lhermitte could put into: 
these things. 
de Jobe, Normandie” 
strongest style. 


is 


very lovely withal. 

Other canvases included in the exhibi- 
tion are “The Fisherman” by the Eng- 
lishman, Colin Hunter; a brilliant “Fish- 
ing Boats Near Marseille” by Ziem, “In 
the Garden” by Albert Edelfelt, “Cows i in 


Pasture’ by Van Marcke, the “Autumn 


Landscape” by Joseph Woodwell, the 
American. painter; “Little -Girl in 
White” by Alexis Harlamoff, a Russian; 
the “Approaching Storm” by Decamps, 
'“The Pet Cat” by F. A. Bridgman, a su- 
| perb piece of flower and still life paint- 
| ing; “Flowers and Fruit” by the Belgian, 
Jean Baptiste Robie, and “The Cardinal 
_ Passes” by Cesare Detti. 


| collection and bears the date 1863. Its 


Marie Dieterle’s “L’Etang | 
in her very. 
The De Beul is an ani- 
mal picture in a less vigorous vein but. | 


| 


| 


the Diaz and the Jacque. Although the 
Diaz is small, being 1214 by 9% inches, 
in this “Love Triumphant” one finds the 


° > a 


ay Peay rj, ea ae ee ; 
Mauve’s “Homeward Bound,’ and the 


by Mauve. 

complete Diaz of the figure subject. It 
is charming in composition, the goddess 
1s appropriately young and beautiful, and 
the attendant amorini and the little dog 
|have the touch of humor befitting the 


‘gre und. “The Jacque, titled 
rd,’ is one of his finest can- 


2. oe ER 
__ From the Henry J. Heinz estate come 
Charles Meissonier’s “Mine Ease at 
Mine inn,” Sir Alfred East’s-water color 
| ‘Dordrecht, Holland,” the “Portrait of 
J. B. C. Corot,” a panel by W. Manton, 
and the “Milking Time” by Willem 
Maris, one of his finest water colors. 
This school is also represented by De 
Bock’s water color “Landscape in Hol- 
land” from the Rhines estate; a Banffe, 
Thompson entitled “A May Day, Fifth 
Avenue.” 
Among the canvases from the Henry! 
J. Heinz estate are the “Harbor on the 
Coast of Cornwall” by W. T. Richards, 
the half-length portrait of the “Honor- 
able Mrs. Bushell” by Sir Henry Rae- 
burn, which was sold once before in the 
American Art Galleries “in 1915; 
Beechey’s “Lady Charlotte Johnson,” the 
“Industrious Family” by J. G. Brown, 
an admirable landscape, “Farm near 
‘Ecouen,” by Cazin, and a “New Eng- 
land Landscape” by J. W. Beatty, former 
director of the Carnegie Institute. From 
the Samuel Owens estate come _ the 
“Banks of a River” by Ridgway Knight, 
the “Venice” by Martin Rico, the char- 
-acteristically British “End of the Day” | 
by Leader, an admirable marine, “Leav- 
ing the Harbor,” by Clays, and Dupré’s , 
“Shepherdess and Sheep.” | 
Two glowing portraits by Van Dyck 
and De Gelder stand out among the can- 
vases from the Rhines estate, other nota- 
ble paintings from this collection being 
the “French Landscape” by Lepine, the 
“Landscape and Figures” by Corot, the 
bust portrait of the “Princess Metter- 
“nich” by Sir Thomas Lawrence, a char- 
acteristic Lely portrait, “Lady of the 
Court of Charles II”; the “Portrait of a 


|most distinguished of all these Dutch | 
water colors, the “Cows Coming Home” | 


| 
| 
No. 91—Eve 1n Despair 
MARBLE SCULPTURE BY AUGUSTE RODIN 
(On Exhibition in Main Hall) 


fi 
7 


ILLUSTRATED CATALOGUE 


OF 


VALUABLE PAINTINGS 


BY MASTERS OF THE 


BARBIZON, CONTEMPORANEOUS FRENCH, 
DUTCH AND ENGLISH SCHOOLS 


tle 


PXCEUSIVELY THE PROPERTY OF THE ESTATES 
SET FORTH IN THIS CATALOGUE 


AND SEVERAL PRIVATE COLLECTORS 
AND 


AN IMPORTANT MARBLE SCULPTURE 
BY THE FAMOUS MASTER, RODIN 


TO°EE SOLD AT UNRESTRICTED PUBLIC SALE AT 


THE AMERICAN ART GALLERIES 
ON THE EVENING HEREIN STATED 


THE SALE TO BE CONDUCTED BY 


MR. THOMAS E. KIRBY 
AND HIs AssIsTANTS, Mr. Orro BERNET AND Mr. Hiram H. PARKE, OF 


THE AMERICAN ART ASSOCIATION, Manacers 
ENTRANCE, 30 EAST 57TH STREET 
NEW YORK 
1923 


Soe 


: ALL DETAILS OF us Pee 
Be act : -_. | TEXT AND TYPOGRIABEASS 


' 
‘? : 
‘ i 
J eS ’ nor 
i : ; 
o yt 
7 : 
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cane if 
% 


CONDITIONS OF SALE 


I. Rejection of bids: Any bid which is not commensurate wi 
article offered or which is merely a nominal or fractional advance i picriy dae oh ay Ae ine 
auctioneer if in his judgment such bid would be likely to affect the sale injuriously. 
ean Be virer: nae eee pier are be the buyer, and if any dispute arises 

ler e auction i i 
re-sale the lot so in dispute. eer shall either decide the same or put up for 

Ill. Identification and part payment by buyer: The name of the buyer of each lot 
shall be given immediately on the sale thereof, and when so required, oo buyer shall 
aaah giving the lot number, amount for which sold, and his or her name and 

Payment at the actual time of the sale shall be made of all or such part of the 
purchase prices as may be required. 

f the two foregoing conditions are not complied with, the lot or lots so purchased 
may at the option of the auctioneer be put up again and re-sold. 

IV. Risk after purchase: Title passes upon the fall of the auctioneer’s hammer, 
and thereafter neither the consignor nor the Association is responsible for the loss or 
any damage to any article occasioned by theft, fire, breakage or any other cause. 

V. Delivery of purchases: Delivery of any purchases will be made only upon pay- 
ment of the total amount due forall purchases at the sale. 

Deliveries will be made at the place of sale or at the storage warehouse to which 
purchases may have been removed. 

Deliveries at the American Art Galleries will be made only between the hours of 
9 A. M. and 1 P. M. on sales’ days and on other days—except holidays, when no deliveries 
will be made—between the hours of 9 A. M. and 5 P. M. 

Deliveries at places of sale other than the American Art Galleries will be made 

" only during the forenoon following the day of sale unless by special notice or arrange- 
ment to the contrary. ">> 

Deliveries at the storage warehouse to which goods may have been sent will be made 
on any day other than holidays between the hours of 9 and 5 

Deliveries of any purchases of small articles likely to be lost or mislaid may bé 
made ee discretion of the auctioneer during the session of the sale at which they 
were sold. ; 

VI. Storage in default of prompt payment and calling for goods: Articles not paid 
for in full and either not called for by the purchaser or delivered upon his or her order 
by noon of the day following that of the sale will be turned over by the Association to 
some carter to be carried to and stored in some warehouse until the time of the delivery 
therefrom to the purchaser, and the cost of such cartage and storage will be charged 
against the purchaser and the risk of loss or damage occasioned by such removal or 
storage will be upon the purchaser. 

OTE: The Limited space of the Delivery Rooms of the Association 
makes the above requirements necessary, and it is not alone for the 
benefit of the Association, but also for that of its patrons, whose goods 
es would have to be so crowded as to be subject to damage 
and loss. 

VII. Shipping: Shipping, boxing or wrapping of purchases is a business in which 
the Association is in no wise engaged, and will not be performed by the Association 
for purchasers. The Association will, however, afford to purchasers every facility for 
employing at current and reasonable rates carriers and packers; doing so, however, = 
without any assumption of responsibility on its part for the acts and charges of the 
parties engaged for such service. 

VIII. Guaranty: The Association exercises great care to catalogue every lot cor- 
rectly and endeavors therein and also at the actual time of sale to point out any error, 
defect or imperfection, but guaranty is not made either by the owner or the Association 
of the correctness of the description, genuineness, authenticity or condition of any lot 
and no sale will be set aside on account of any incorrectness, error of cataloguing or 
imperfection not noted or pointed out. Every lot is sold “as is’ and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and the 
Association will give consideration to the opinion of any trustworthy expert to the 
effect that any lot has-been incorrectly catalogued and in its judgment may thereafter 
sell the lot as catalogued or make mention of the opinion of such expert, who thereby 
will become responsible for such damage as might result were his opinion without 
foundation. - 

IX. Buying on order: Buying or bidding by the Association for responsible 
parties on orders transmitted to it by mail, telegraph or telephone will be faithfully 
attended to without charge or commission. Any purchases so made will be subject to 
the foregoing conditions of sale except that, in the event of a purchase of a lot of one 
or more books by or for a purchaser who has not through himself or his agent been 
present at the exhibition or sale, the Association will permit such lot to be returned within 
ten days from the date of sale and the purchase money will be refunded if the lot 
in any manner differs from its catalogue description. , ; 

Orders for execution by the Association should be written and given with such 
plainness as to leave no room for misunderstanding. Not only should the lot number 
be given, but also the title, and bids should be stated to be so much for the lot, and 
when the lot consists of one or more volumes of books or objects of art, the bid per 
volume or piece should also be stated, If the one transmitting the order is unknown to the 
Association, a deposit should be sent or references submitted. . Shipping directions should 
also be given. : é 

Priced Catalogues: Priced copies of the catalogue or any session thereof, will be 
furnished by the Association at charges commensurate with the duties involved in copying 
the necessary information from the records of the Association. 


AMERICAN ART ASSOCIATION, 
New American Art Galleries, 
Block of Madison Avenue, 56th to 57th Street, 
Entrance, 30 East 57th Street, 
New York City. 


INTELLIGENT APPRAISALS 


FOR 
UNITED STATES AND STATE Ts 


INSURANCE AND OTHER PURPOSES 


AND 


CATALOGUES OF PRIVATE COLLECTIONS 


APPRAISALS AND CATALOGUES. ‘Together with the increase in 
its exhibition and sales rooms, the American Art Association will expand its 
service of furnishing appraisements, under expert direction, of art and literary 
property, jewelry and all personal effects, in the settlement of estates, for in- 
heritance tax, insurance and other purposes. It is prepared also to supplement 
this work by making catalogues of the contents of homes or of entire estates, such 
catalogues to be modelled after the finely and intelligently produced catalogues 
of the Association’s own Sales. 


The Association will furnish at request the names of many Trust and Insur- 
ance Companies, Executors, Administrators, Trustees, Attorneys and private 
individuals for whom the Association has made appraisements which have not only 
been entirely satisfactory to them, but have been accepted by the United States 
Revenue Department, State Comptroller and others in interest. 


THE AMERICAN ART ASSOCIATION. 


ATITTS 


NEW AMERICAN ART GALLERIES 
THE BLOCK OF MADISON AVENUE, 56TH To 57TH STREET 


ENTRANCE, 30 EAST 57TH STREET 
NEW YORK CITY 


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PEALOGUE 


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EVENING SALE 
TUESDAY, JANUARY 16, 1928 
IN THE ASSEMBLY HALL 
OF 
THE AMERICAN ART GALLERIES 
ReIiNG ais. lo 0 CLOCK 


Catalogue Numbers I to 91, inclusive 


CHARLES MEISSONIER 


(Son and pupil of J. L. E. Meissonier) 


Frencu: 1852—1917 


1—MINE EASE IN MINE INN /0 


him. His costume comprises a large pearl gray hat, white lace-edged 
: collar and steel neckpiece and doublet, breeches and stockings all of red. 
In the background are the roofs and church tower of a town and gray 
sky. 


Height, 11 inches; width, 74/4, inches 


A souprer of the Louis XIII period seated at a table on a vine-covefred 
terrace with long, clay pipe in hand and jug and glass on a table beside 


Signed at the lower right, CuHarLes MEtIssoniEr. 


Property of the Estate of the late Henry J. Heinz, Pittsburgh, Pa. 


) 4  \ CHARLES EMILE JACQUE 


4 al FrencuH: 1813—1894 


se fj “RP | 
7 : reY 


2<LANDSCAPE AND SHEEP 


(Panel) Wow. | (i. 


nt Ne Height, 7 inches; length, 9 inches 


In the foreground, on the greensward, is a group of sheep, including 
it a ewe with a lamb at her side, and farther away, at right, in the shade 
| _ of the great trees of a forest is a shepherdess with others of her flock. 
Especially notable in this small example is the masterly rendering of 
| technical details. 

il Signed at the left, Cu. Jacque. 


The property of the late JosepH Eastman, New York. 


i wr % 
‘4 fj 
ity oa 4 [/ | S. y | UN 
/ “/ yA F - f 
2 ee — | » i \b-Z AAS | i ce , aR —\.AAANAS VS ° 


HENRI JOSEPH HARPIGNIES 


Frencu: 1819—1916 


3—LANDSCAPE WITH CHURCH 7) Pete 
f 


(Panel ) 


Height, 91% inches; length, 1434 inches 


: A LANpDscAPE with color scheme of quiet tints depicting an undulating, 
: somewhat sandy foreground with groups of trees on either side and a 
| valley in the middle distance, where a church is seen, its tower and spire 
in silhouette against an early evening sky of pale, tender grays. 

: 


Signed at the lower left, H. Harpicenirs, and dated ’85. 


E Property of Mrs. Hamitton Carnart, New York. 


JEAN JACQUES HENNER 
Frencu: 1829—1905 


(Panel) 


Height, 13% iwmches; width, 9 inches 


A FULL-LENGTH nude figure in side view to left, standing with hands 
resting on a ledge of a rocky cliff and her auburn hair flying loose back 
of her. On the right a glimpse of the sea and blue sky. 


Signed at the left, Henner. 


Property of Mrs. Haminron Caruart, New York. 


ALPHONSE DE NEUVILLE 
Frencu: 1835—1885 


5—ON GUARD 


Height, 121% inches; width, 814, inches p Leo Ws 
4 


A BEARDED officer of Sappers and Miners in uniform of the 1870 
epoch; dark blue tunic, blue breeches and green epaulettes, with many 
medals on his breast, standing with head turned to left and with right 
hand holding a musket with its butt resting on the ground and a flag 
of light yellow at its top. 


Signed at the lower right, A. pe NEuvitiE, and dated 1876. 


Property of a Private Owner. 


oO 


MARTIN RICO 


SPANISH: BEFORE 1850—1908 


6—VENICE YVith 2 


Height, 11 inches; width, 64 imches 


A cHARMING little picture of a bit of Venice with white and gray walled 
buildings, on the right, bordering the waters of a canal which fill the 
foreground. Under a tan colored awning at the entrance of one of the 
houses a woman is sitting and high up on the roof of a building beyond 
is an artist making a sketch. The blue of the sky above is reflected in 
the canal. 

Signed at the lower right, Rico. 


From the F. O. Matthiessen Sale, New York, 1902. —#e 4 . 1048 - 
Property of a Private Owner. Wb . 


JEAN JACQUES HENNER 
Frencuo: 1829—1905 


7—FEMALE HEAD 


( Millboard) 


5A : Height, 1114 inches; enath 73/4, @ Shicth ae 


A HEAD in profile to left of a young woman hee auburn hair falls 
loosely over her shoulders; dark blue bodice, a book with blue-gray 
cover at lower left. 


Signed at the left, J. J. HENNER. 


Property of a Private Owner. 


SIR ALFRED EAST, R.A. 


BritisuH: 1849—1 913 


() 8 DORDRECHT, HOLLAND 
m| (Water Color) 


9 1 0) Height, 21 inches; length, 26 inches 
( 


In the foreground, a small steamer, in a canal at the quay on thé right 
along which is a row of trees. In the middle distance a church looms 
up with square tower among other buildings. Sky of gray. 


Signed at the lower left, Atrrep East. 


Property of the Estate of the late Henry J. Heryz, Pittsburgh, Pa. 


W. MANTON 


ConTEMPORARY 


pp, 9—-PORTRAIT OF J. B.C. COROT 


foOn Perl) Oh g een B. 


A Wk Height, 10 inches; width, 8 inches 


Poxrrarr showing the head and shoulders of the French master painter | 
in full face, in later life, his white hair framing his countenance. Black 
coat and waistcoat with red Legion of Honor button in left lapel. 


Signed on the back,, W. Manton Fecir 1875. 


From the Warren Sherburne Sale, New York, 1909-88 JF fi ns | 


Property of the Estate of the late Henry J. Heinz, Pittsburgh, Pa. 


STANISLAS LEPINE 


Frencu: 1836—1892 


10—FRENCH LANDSCAPE 3 z S 


3 a5” Height, 814 inches; length, 1234, inches Qala | 


A roan crosses the foreground along the banks of a river and on the 
opposite shore are buildings and groups of trees. Sky of gray clouds. 


Signed at the lower right, Lerner. 


Purchased from Durand-Ruel. 


Property of the Estate of the late I. O. Rurnes, New York. 


UNKNOWN EARLY DUTCH MASTER 


1I—THE MUSIC LESSON 


| te 7 (Panel) 

Ab Height, 15 inches; width, 1214 inches ; : 

| e ( Betlucez. 
A croup of three figures—a young woman with e, fur-trimmed 


jacket and white satin skirt, seated with finger of her right hand mark- 
ing time as it rests on a book of music held up before her by a page, at 
left, and back of her chair a man playing a lute, his head turned with 
attentive expression toward the lady. A table with fruits is seen at 
right and back of the figures is a spaniel on a stool. 


Property of the Estate of the late Henry J. Heinz, Pittsburgh, Pa. 


50: ie eye: abt Chen 
‘ EMILE VAN MARCKE op 
FRENCH: 192i a \ / 

NF 


12—CATTLE IN PASTURE \" 


E 


—os ge 


A WHITE cow in side view standing beside a pool with head raised and 
Ys \Yy gaze directed to left, and a dark red cow close back of her. In the dis- 


tance, cattle grazing and, overhead, a sky of blue with some small 


i ; clouds. An example of notable quality. 


af Signed at the lower right, E. Van Marcxe. 
a4 The property of the late JosErH Eastman, New York. 
SS Mie AA fillge) Bo ioler an lock PNM 
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iS 


EDWARD LAMPSON HENRY, N.A{ ©? 


American: 1841—1919 Wr | are 


beer 
13-THE WEEKLY PAPER | AY Qe 
(Panel) 
Height, 10 inches; length, 14 inches J 1 Oa 


Aw interior painted with minutest finish but without detracting from 
the effect of the whole. An old lady with white cap and kerchief is 
seated in a rocking chair, reading a newspaper in a pleasant sunlit 
room with homelike furnishings—a corner china closet, an open Frank- 
lin stove, circular and over-mantel looking glasses and, on the stairway 
landing, a grandfather clock. A picture of American life and manners 


of historical importance. 
| Signed, EK. L. Henry, and dated 1883. 


Property of the Estate of the late I. O. Ruines, New York. 


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14—HIGHLAND LANDSCAPE AND SHEEP 
CU (Panel) 


ge 
7 


yy \ Height, 1284 inches; length, 18 inches 


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: 40. Moe 


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A croup of horned sheep, with long, heavy fleece, in a mountainous 
landscape with grassy foreground and peaks beyond. Sunlight effect 
and sky of clouds with blue. 


Signed at the lower left, Rosa BonuHeEvrR. 


The property of the late JosepH Eastman, New York. 


1/9 ferughh Lideaes dpereo Ciris Beary 1S fhe deo AS KK — 
ee Carlier feng HK 2 BNMSX — 


EMILE LAMBINET 


Frencu: 1815—1878 


15—dA BRITTANY LANDSCAPE fee i pele 


Height, 13 inches; length, 18 inches 0) Eze: 


GREEN fields and bushes in the foreground with glimpses of a winding 
road, at left, lined with trees and a stream beyond. In right middle 
distance a field of wheat and two farmers with their cradles. Blue hills 
in the distance and sky of pale warm white with blue above. 


Signed at the lower right, Emive Lampiner. 
From the John T. Martin Sale, New York, 1909.-2787 pN00+%bf 


Property of the Estate of the late Henry J. Heinz, Pittsburgh, Pa. 


a) © 


be 


_\ JEAN BAPTISTE CAMILLE COROT 
os \Y ¥ Frencu: 1796—1875 L 
eo NY 
\ \ \\J : ie t 
ae he 16—LANDSCAPE AND FIGURES 3 


rn Height, 12%4 inches; length, 18 ie mn Bell 


In a foreground meadow bordered by trees and overlooking a river are 
two seated figures. Through the openings among the branches and 
foliage appear the farther shore and an evening sky of warm tinted 
white with tempered blue. 


Signed at the lower right, Corot. 
Property of the Estate of the late I. O. Rutyes, New York. 
Submitted to the late Daniel Cottier, expert art dealer, New York, 


1880, who declared in writing that the work above described is a 
veritable Corot. 


CE. e CBtb Qciper, 17,196 M9.54 


| 


Teng ew 


spcenseugurernemnenentore 


HARLES FRANCOIS DAUBIGNY tf 
cae’ 
L/ 


Frencu: 1817—1878 vo r/ 


} a 


f 


(Panel) 


Height, 124% inches; length, 191% inches ae 


Ife, p46 » = ane 


. @ Cv 
A TTL river winds with unruffled waters from the foreground between 
banks lined with trees, the foliage reflected in the stream; willows bor- 
der green fields in the middle distance and above a bank of clouds on 
the low horizon rises an early evening sky. 


Y 


Signed at the lower right, Davaieny, and dated 1863. : 
From the George I. Seney Sale, New York, 1301 nA et pb 250 fl : 


The property of the late JoserpH Eastman, New York. 


ON ee eee ae — 


NARCISSE VIRGILE DIAZ DE LA PENA 


FRENCH: 1807—1876 
18—LOVE TRIUMPHANT | ot a 
: We Height, 12% inches; width, ou, inches 9, TC | { | 


A BEAUTIFUL young woman with blonde hair, wearing a low, loose waist 
of white and dark blue skirt, seated, surrounded by a group of cupids 
and with a little brown and white spaniel at her feet. Another cupid is 
hovering about the group and is about to place a jeweled crown-on the 
blonde head. <A piece of crimson drapery, at left, and the green foliage 
of vines on the pillars of a terrace in the background produce har- 
monizing color notes and the ensemble is one of beauty, and grace. 


Signed at the lower left, N. Diary and ated 55. 


From the private collection of the late H. 8. ape: of Philadelphia, 
who presented the picture to his wife, now deceased. 


To be sold by order of the Girard Trust Company of Philadelphia, 7 
Executor of the Estate of Harrier M. Duckett, formerly Mrs. 
H=S. ENE 


an ete a —- 


CR en Se Qa er 
Pe Ae tg ae ai hy st bi sl? 


JEAN BAPTISTE CAMILLE COROT ‘ 


Frencu: 1796—1875 } EA “yl 


19-LANDSCAPE WITH FIGURES AND aS 
VIEW 


. h 
tb Ao Height, 12 inches; length, 18 ieee we 


Ix the foreground on the banks of a quiet river whose waters fill the 

~ central part of the landscape are two peasant women and on the farther 

shores appear, at right, the roofs and church tower of a village with 
groups of trees. In the distance le gray-blue hills under a sky of ten- 
der tints of pale, warm grays and qualified blues. 


Signed at the lower right, Corot. 


The property of the late Joseru Eastman, New York. 


ANTON MAUVE 


Dutrcu: 1838—1888 


7 Co ; 
20—GATHERING WOOD WM. ae | 
vn ( Water~Getor | 


in. . 
eS, ) Qh 
Height, 165 inches; width, 131% inches aw 


On a road at the edge of a wood stands a wagon, with a white horse, 
on which a woodsman in blue blouse is loading wood and bunches of 
faggots. Tempered autumn sunshine illumines the scene and we pic- 
ture is completed by a sky of qualified grays and blues.” 


— Signed at the lower right, A. Mavve. 


From the original house of Cottier & Co., who first brought to New 
York examples of the best painters of the Modern Dutch School. 


The property of the late JosEpH Eastman, New York. 
75 81- tbeugheh fms tbotlin » be 1593 ~ BAAMS - 
Iola. 4 A Ladurig Ipsay 1b 93 4 BASKX 4 


23.014, Ot tervecqumen fret te Laaaney ag el. 
ola. She] Bastien) Mees89, SB OXKK 4 


WILLEM MARIS 
2 J Qe Dutcu: 1844—1910 


21—MILKING TIME 


(Water Color) 
el 


Height, 18 inches; width, 14 inches 


In a foreground of pasture, with trees on the left, a farm hand in blue 
blouse is milking a fawn and white cow. Standing in waiting to the 
right of her is a black cow with white face. Sky of luminous grays. 


Signed at the lower right, WittEM Maris. 


Property of the Estate of the late Henry J. Heinz, Pittsburgh, Pa. 


THEOPHILE DE BOCK 
Durcu: 1850—1904_ 


| 2—LANDSCAPE IN HOLLAND EEO 


“ poe san 4 . 


4 (Water Color) 
& | | Height, 1314 inches; length, 191 inches | 
alo, - Rett g “Lh 
P. : ‘ | é , = y 
a In the foreground, the waters of a river stretching away to distant 
__ shores; on the green banks, at right, a red cottage embowered by trees 
___and a sail boat drawn up at a dock; sky of white clouds with blue. 

Signed at the lower left, Tu. pr Bocx. 
: E - Purchased from Messrs. Goupil & Co., Paris. 


Property of the Estate of the late I. O. Ruines, New York. 


ANTONIO CASANOVA Y ESTORACH 


SpantsH: 1847—1896 


ILL A 
(Fo 
23—THE UNEXPECTED VISIT 
E Height, 141% inches; length, 2014 inches 2 
lo lin Reece 
Four Spanish soldiers of the guard in a sombre stone-walled chamber 
! have been drinking and have fallen asleep when they are aroused by the 


captain who has unexpectedly entered by the stairway seen at the right. 
Costumes of the Louis XIII period. 


Signed at the lower right, A. Casanova, and dated, Roma, 1871. 


Property of the Estate of the late I. O. Rutnes, New York. 


SIR THOMAS LAWRENCH, P.R.A. 


Bririsu: 1769—18380 


24—PRINCESS METTERNICH 


e 


ie \ . Height, 1744 inches; width, 17 inches 7 athe 


Heap of a lady, about twenty-five and of charming aspect, in full face 
slightly inclined to right; dark hair with small curls on forehead, white 
drapery over right shoulder. 


Property of the Estate of the late I. O. Ruines, New York. 


SIR PETER LELY | 


Raita : ~1618—1680 


25—LADY OF THE COURT OF CHARLES II. 


: | Height, 22 inches; width, 1634 inches . 
mot awed a. Ruck 
a Heap and bust portrait of a lady in three-quarters to left; dark hair 
with ringlets on forehead and curls on neck; low gown of gray and 
pink with jeweled ornaments on shoulder and at centre of corsage: 


_ dark background. » 


Property of the Estate of the late I. O. Runes, New York. 


| CORNELIS JANSSENS VAN CEULIN 


Dutrcu: 1593—Circa 1664 


26—PORTRAIT OF KING JAMES I. iGO 


(Panel) 


Height, 2514, inches; width, 194 inches ¢ ° Crevath 


Heap and bust portrait of King James I. of England, in three-quar- 
ters to right; brown mustache and beard, white ruff, black velvet coat. 


| 
| 
| 


ee ge te 


Purchased from the late T. J. Blakeslee, New York. 


Property of the Estate of the late I. O. Rutnes, New York. 


ee 


FEDERICO ZUCCARO 
Spaniso: 1543—1609 


27—PORTRAIT OF A LADY 


Height, 23% inches; width, 1914 inches 


Heap and bust portrait of a lady in full face; aan lace head dress, 
ornamented with jewels, and white ruff; black velvet gown, heavy gold 
chain supporting ornament on breast; diamond shaped device in red 


and gold at upper right. 
Purchased from the late T. J. Blakeslee, New York. 
Property of the Estate of the late I. O. Rutnes, New York. 


| 
| 


| 


DIRK HALS 


DutcH: 1591—1656 


283—PORTRAIT OF A MAN PTA 


Height, 22 inches; width, 18 inches 


an S.§. Cetnith yg 


Heap and shoulders of a man in three-quarters to left; dark hair, mus- 
tache and small goatee; large, flat, black cap; black Louis XIII tunic 
and wide lace collar. 


Property of the Estate of the late I. O. Ruines, New York. 


JAN VAN ESSEN 


DutrcH: CONTEMPORARY 


29 HOLLAND LANDSCAPE 
0 Height, 181, inches : length, 22 inches NG ~ / 


Stranpine near the middle of the picture in a field where some crows are 
rising 1s a brown horse hitched to a wagon but without a driver. ‘The 
sky is composed of coluds of white and gray with blue at the upper _ 
left. : ’ 


Signed at the lower left, JAN Van Essen. 


Property of the Estate of the late 1. O. Ruines, New York. — 


rd Oe: eh V. BANFFE 


Dutrcu: ConrTEMPORARY 


30—WINDMILL IN HOLLAND 
(Water Color) 


A ff 


| a 0 Height, 14°4 inches; length, 211% inches 


rf 


A Houtanp landscape depicting lowlands with a stream and on its 
borders, at right, a windmill and cattle. Sky of gray clouds. 


Signed at the lower left, V. BANrrr. 


Property of a Private Owner. 


ANTON MAUVE 


Dutcu: 1838—1888 


<HOMEWA RD BOUND 


(Water Color) 


Height, 15 inches; length, 22 inches A 


: Ub acrkvel AN bas 


Over a sandy road which leads through the Holland dunes into the 
foreground, a cart drawn by two horses is coming forward at evening. 


Signed at the lower right, A. Mauve. 
Property of a Private Owner. 
CS0FS + On comacpnoneot Lops tiara Mine 14/9. oo lus 
AM AX 4 
NLS GODT lan 24/19 24 > 


eS. JULES DUPRE 


Frencu: 1812—1889 


32—MARINE 


4 Si Height, 15 inches; length, 22 inches 
4 Ss 


A stormy day, toward sunset, is represented, with naught before the 
eye but ocean and sky, and a few sailboats. It is a green, tossing, 
white-capped sea, with a slant of light crossing the foreground, and a 
French fishing-boat plowing along within the border of the transparent 
shadow beyond. Smaller boats are also within view, and gray clouds 
obscure most of the sky, with a glimpse of blue appearing between them. 


Signed at the lower left, Jutzes Dupre. 


From Messrs. Cottier & Company, New York. 


Purchased from the James Buchanan Brady Sale, New York, 1918. 420+ é 
tts bbevhek 
Property of Mrs. Hamitton Caruart, New York. 


CUHOG O10 toncegnmenk Iwo b. nde 
soi st ‘cha LESKX 4 


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ne 


on 


A AP 


ANTON MAUVE 
ae. Dutcu: 1838—1888 


; as pome 


-883—COWS COMING HOME yy 


« a 


, 2 =) (Water Color) ae 


Height, 16 inches; length, 24 inches 


A cow, white with black spots on head and neck, followed by a black 
one and a third, brown with white face, and a herdsman in the rear, 
coming forward past a tree and bushes, at left. Farther away, a fourth 
cow follows along. Evening sky of gray with accents of rose pink. 


Signed at the lower right, A. Mavve. 


Purchased from Messrs. Goupil & Co., Paris. 


Property of the Estate of the late I. O. Rutnes, New York. 


‘are fields and hills bathed in morning sunlight. Gray sky. 


LEON RICHET 


FRENCH: 1847—1907 


34— FOREST LANDSCAPE 


Height, 18 inches; length, 26 inches 


(tf 


On a path through a wood, with trees on the left and in the right middle 
distance a peasant woman is coming toward the spectator. Sky of 
gray clouds. | i | 
Signed at the lower right, Lton Ricner. 


Property of the Estate of the late I. O. Rutnes, New York. 


JULIEN DUPRE 


Frencu: 1851—1910 


35_-SHEPHERDESS AND SHEEP 


Height, 2134 inches; width, 1814 inches 


= ii 


A youNG peasant woman with blue dress, gray underskirt and with h 
cloak carried on her right arm, is seen in the left foreground leading 
her flock of sheep, which follow behind her on the right, out to the pas- 
tures. They are passing in the shadow of trees, at left, and beyond 


Signed at the lower left, JuLIEN Dupre. 
Property of the Estate of the late SamMuEL OweEns, SENIor, Pittsburgh, 


Pennsylvania, to be sold by order of The Union Trust Company 
of Pittsburgh, Pennsylvania, Executor. 


q 
: 


| PAUL JEAN CHARLES CLAYS 


a Beieran: 1819—1900 
| y 40 
36—LEAVING THE HARBOR 
4 | (Panel) c 
Vis Height, 213/, inches; width, 17 inches chy ae 


Two broad-beamed sailing vessels, with sails up, coming forward under 
alight wind. At right, on the beach, a rowboat and three men. In the 
distance, also at right, are the shores with a windmill, buildings and 
boats. Summer sky of light gray clouds and blue. 


Signed at the lower right, P. J. Cuays. 


Property of the Estate of the late SAMUEL Owens, SENior, of Pitts- 
burgh, Pennsylvania, to be sold by order of The Union Trust 
Company of Pittsburgh, Pennsylvania, Ewvecutor. 


————S SS 


f ‘an ly - = 
i< ,» |?" JOHN WESLEY BEATTY 
GE | the (Director Carnegie Institute, Pittsburgh) 
— AMERICAN: 1851— 


‘|  87-—-NEW ENGLAND LANDSCAPE 


Height, 17 inches; length, 23 inches a 
aa ie Me OAL, 
Rvuccep slopes of brown and green in the foreground and middle dis- 
tance stretch upward to the horizon where amid the trees appear houses 
and a church. Overhead is a sky of gray clouds swept by the wind. 


Signed at the lower left, J. W. Bearry, and dated 1914. 


Property of the Estate of the late Henry J . Herz, Pittsburgh, Pa. 


DANIEL RIDGWAY KNIGHT 


AMERICAN: 1845— 


38—MORNING TASKS 


~~ i = 
ee ee ee ee 
nceeneeeenamrmncceiiltinainbiticn a 


Height, 2214 inches; width, 1814 inches 3 . 

| . | 

5457 WE | 
A youne and comely French girl with white waist, red bodice &nd blue | 

7 | 


apron, standing on the brink of a stream to which she has come with 
pail and pitcher to get water. The landscape setting shows a gentle 
slope back of her and a summer sky of white and blue. 


Signed at the lower right, Ripeway Kwnicut, Parts. 


The property of the late JosrrpH Eastman, New York. 


Cb9GL = loreal feon Lee Aeligt, War7 89 0 - Zee XKK .. 
dota fr taabcor Mee 18Go ae. = 


JEAN CHARLES CAZIN os 
Frencu: 1841—1901 ] | 


/bAYG, 3 | P h. Ww: oe its 
 «-89-_-FARM NEAR ECOUEN n: MH if 


Height, 19 inches; length, 22 inches | 


A LitTLez stream trickles through a ravine which traverses a foreground 
with luxuriant growth of tall grass and in the middle distance appears 
a farm building with tiled roof backed by a group of trees, on the right. 
Hills are seen in the distance and overhead is a sky of drifting gray 
clouds with a space of blue in the upper left. 


Signed at the lower left, J. C. Cazry. 
From the Warren Sherburne Sale, New York, 1909. 5K 1 P// 95-16 ; 4 


= Property of the Teli of the late Henry J. Hernz, Pittsburgh, Pa. 


~afykooRE. PIERRE ETIENNE ROUSSEAU 


; | Sane, FRENCH: AS21907 
| 9? } 


10 ANDSCAPE NEAR FONTAINEBLEAU ort q 


vV\, Height, 16 inches; length, 24% inches . V 4 
ay . A 
‘Cae eters | | M. o 


\i\-- A LANpscaAPE executed with careful depiction of detail and at the same 
) time with breadth of general effect. The foreground shows a level 
~ i stretch of green meadow with four or five trees irregularly spaced. a 
cow drinking at a pool and a figure seated in the shade. On the left is 
a piece of woods and beyond, on the right, fields extend to the distance 
where a church spire denotes the location of a village. The sky com- 


4 ( 0, posed of light clouds is varied by spaces of blue in the upper part. 


‘Signed at the lower left, Tu. Rovssrauv. 


The property of the late Josern Eastman, New York. 


CHARLES FRANCOIS DAUBIGNY 


Furncns1 817-2 tes 


41—ON THE OISE, (Salen 
Rh Panel 


) Height, 1314 inches; length, 2514 fa 


i. Reso 


A summer landscape of delightful quality with the river Oise in the — 
foreground turning a point of the shore which stretches from the left @ 
nearly to the limit of the canvas on the right and is wooded with tall, 
thickly foliaged trees. On the opposite shore,-at the extreme right 
are slopes and hills and near the middle of the picture a slender tree : 
stands by itself in relief against the sky of eae blue and dchcaa 
tinted clouds of white and gray. 


Signed at the lower left, Dausieny, and dated 1863. 4 
The property of the late JoserH Eastman, New York. ; } 
we Jb, vous dle 1889 hea $5100. bd = | 
tle Yo bec . 
‘ ie bi: /910 1h 7B HM bee. Mat 


/1990- Lotd Vas Leb 194/04 Le XK 4 


ANTON MAUVE 


Dutrcu: 1838—1888 


AXIO | my K4 bo : 


42—SHEEP IN PASTURE: HOLLAND 


f or\ Height, 15 inches; length, 26 inches 


i é 
A rvock of sheep, with a black one among them, moving slowly over a 


- field through which trickles a little stream, guarded by their shepherd 


‘Yin blue smock. Beyond, on the edge of the field, are bushes and a tree 


with thin foliage, the whole completed by a sky of white and gray 
clouds. 
Signed at the lower right, A. Mauve. 
Purchased from Messrs. M. Knoedler & Co., New York. F 
Property of the Estate of the late I. O. Runes, New York. 
MK 1373 4 Coreg hh Goad +e oredr bfth 15730 KNK — 
bold. S OMbines lyfect 979., PMSK 9 


Dy i 1 NO Wheres May 1b 19 AV- 2 | 
S370 Onecrecgnamenh foo! MiyG fasick | 


Mubten ds oitney bee! bgt ey 


ie 2 ee ee ee 
nea 


WILL H. LOW, N.A. 


Ie : 1853— | 


43—THE, PORTRAIT 


Ap Height, 25 inches; width, 141% inches } 7 
| ya. = Q. 


A youne girl in Greek dress of pink, standing at the left of the com- 
position with her left knee resting on a marble bench, is tracing on the 
white wall above it the shadow silhouette of a young man formed by 
the sunlight. In the immediate centre foreground i is a sun dial on a | 
fluted marble column and at the upper left appears the oo ieee 
of a vine. 


Signed at the lower right, WILL H. Low, anus dated 1890. 


From the William T. Jeuaane BL. American Art Association, New 


York, 1900.-¥704 oy Mek 


Property of a Private Owner. 


nf? | THOMAS: COUTURE 


- ee | 
me  Frencu: 1815—1879 
yal | ih 
44—PORTRAIT STUDY 


Oval: Height, 21 inches; width, 17 inches 
Heap and bare shoulders of a man, in profile to left; black tangled 
hair, black moustache, steel blue eyes and defiant expression. 


Signed at the left with initials, T. C. 
Purchased from the late T'. J. Blakeslee, New York. 


Property of the Estate of the late I. O. Runes, New York. 


; 


CESARE DETTI 


Irariran: 1847—1915 


45—THE CARDINAL PASSES Py, a 


€ a 
Wires 


Gel fer lam 


A stout, somewhat elderly cardinal, all in brilliant red, with a lady on 
his arm in costume of the Louis XV period, has left his coach which 
stands on the right with its men in livery and is passing a marble seat 
on the edge of a park, where two young ladies have risen and are cour- 
tesying. A young abbé, in black, their companion, remains behind 
their backs and holds his three-cornered hat before his face. 


3 wey  _ Height, 231 inches; length, 29 inches 


Signed at the lower right, C. Drrtt. 


Property of the Estate of the late Samuret Owens, SENtor, Pittsburgh, 
Pennsylvania, to be sold by order of The Union Trust Company of 
Pittsburgh, Pennsylvania, Executor. 


ARENT DE GELDER 
DutcH: 1645—1727 


Ly 4 y Ap 
46—PORTRAIT OF A YOUNG MAN 
ISSO. 


Height, 25 inches; width, 20 inches 


Heap and bust portrait of a young man, with fair complexion and 
curling auburn hair, in three-quarters to left; wide, white collar with 
pendent ornament; black coat, dark background. 


Property of the Estate of the late I. O. Ruines, New York. . 


SIR ANTHONY VAN DYKE 


Fremiso: 1599—1641 


47—A CARDINAL 


: Height, 231% inches; width, 20 inches 


Porrrair, head and shoulders of a fine-looking man about fifty in three- 
quarters to left; hair tinged with gray, brown mustache and chin 
beard; red cloak enveloping shoulders. 


Purchased from the late T'. J. Blakeslee, New York. 


Property of the Estate of the late I. O. Rures, New York. 


( g ? Brrctan: 1821—1910 
\ * 
48—F LOWERS AND FRUIT LA) Y. 
b 60. Height, 27 inches; width, 20 inches 


fy. JEAN BAPTISTE ROBIE 


A creat bunch of roses, pink, yellow and white, with some other flowers, 
in a vase on a table with a silver ewer at the right. At left a dish of 
luscious strawberries. 

Signed at the lower right, J. Ronte. 


Property of the Estate of the late SamuEL Owens, SeEntor, of Pitts- 
burgh, Pennsylvania, to be sold by order of The Union Trust 
Company of Pittsburgh, Pennsylvania, Executor. 


FREDERIC ARTHUR BRIDGMAN, N.A. 


AMERICAN: 1847— 


Say 


/ 49—THE PET CAT | i 
“¥ Height, 20s inches; width, 2014 inches / Y | 
a YE 

‘. a LITTLE girl aie blonde, curling hair and wearing a white dress, 
seated in an arm chair and holding a gray and white cat in her arms. 

~ Dark background. oe 


Signed at the lower left, F. A. Brineman, and dated 1881. 


5 "The property of the late J osepH EastMay, New York. 


GEORGES MICHEL 


Frencu: 1763—1848 


50—LANDSCAPE 


D2 KY f 
Height, 23 inches; length, 2814 inches yey A 


350 MA. 
. A wipE sweep of country stretching away to the sea in the distance 


and including a road in the foreground, a church and hamlet at left, 
and scattered buildings in the middle distance. Black storm clouds in 
the sky, at right, drifting before the wind. 


Purchased from Messrs. Durand-Ruel. 


Property of the Estate of the late I. O. Rutnes, New York. 


-* y 


_ HENRY OLIVER WALKER, N.A. — 


AMERICAN: 18438— Ee Fore A ie oe 


uk 


51—THE BOY AND THE MUSE 
Height, 22 inches; length, 27 inches 


Tu scene is laid in a wood where lilies bloom at the edge ‘of a path — 
leading down to a quiet pool in a dell. In the right foreground is the — 
seated figure of the Muse, in draperies of pale gray-blue, and standing _ 
at her knee is a boy, nude save for a loin cloth, holding a metal urn. a 
His head is turned and his eyes look questioningly into the face of the 
Mise. 4-53 oe | ee a 
Signed at the lower left, H. O. Warxer, and dated 1894. 


From the W illiam T. Evans Sale, American Art Association, 1900.72 y 


p ‘ 
Property of a Private Owner: oS ee Y 


HENRI LEROLLE 


Paencen 1851— 


52-MORNING AT THE FARM | CP 
Height; 29 inches; width, 26051: ann 


A xuraL scene in Northern France. Across a yard enclosed by white - 
walls and shaded by trees a farm maid is passing carrying a water pail. 
Nearby, at right, are two white geese. Sunshine filters trotey the 
green eas overhead and flecks the ae with spots of eae 


Signed at the lower left, H, Lenorte. 
From the eas I. VTS Sale, Nae York, 1891 eho: 


The property of the late Josrru Hasraran, New Pigs 


( /Q JEAN CHARLES CAZIN 
6 | Farnoit; 18411901. i : 
58—GATHERING THE CROP — T see 

Height, 21), inches; length, One am ohes | 


oo, ALK Pu 


Levet fields in the lower part of the picture and women gathering up 
and carrying away bundles of herbage; haystacks at right, and at left — 
a small building with white walls; in the distance, wooded hills; sky of 
clouds and blue. . | | 


\ ‘4 
sz 
\ a 
® 


Signed at the lower left, J--C. Cazin. 
Purchased from the late T. J. Blakeslee, New York. ie 


Property of the Estate of the late I. O. Ruryes, New York. 


‘3 Tit Vos tuk Chae he tactoee ee . 
A pct rt ain per 191% eye q 


Nii Coy OL 3), 


4 ( 


ALEXANDRE GABRIEL DECAMPS 


Frencu: 1803—1860 


54—THE APPROACHING STORM 


a Ao Height, 24 inches; length, 26 inches ab verve: | 


A LANDSCAPE with forest trees on a slope, at left, bordering a road 
which leads from the right foreground where a man and a dog are pass- 
ing. ‘The man with head bent, the trees swept by the wind and the 
darkened sky portend the swift coming of a rain storm. 


Sot Sera ae 


Signed at the lower left, DeEcamrs, and dated 1842. 


From the collection of the late DorotHEa WoLFF. 


DA 104_e, } sug | Sutb | FHE 


a NS =: 


AIME PERRET 


FRENCH: 184"7— 


55—THE VINTAGE HARVEST 


e Height, 27 inches; width, 22 inches rele sop : so O 
7 Oo ‘ . 
FuLi-LeneTu figure of a young peasant woman, with re bodice and 
_ blue-gray apron, approaching the spectator as she comes forward on 
a well-worn path through the vineyards. With her left hand she sup- 
| ports on her head a basket filled with purple grapes. In the distance, 
a a church, cottages and trees; sunset sky of pale yellow, gray and blue. 


Signed at the lower left, Amt Prrrer. 


To be sold to close an Estate. 
ame 


ALEXIS HARLAMOFF 


Russian: 1849— 


56—LITTLE GIRL IN WHITE 2) 


| i. ; 4 J 
H eight, 26 inches; width, 1934, inches . 
7°. E, >. ther 


Hatr-Leneru picture of a little girl in a white dress, seated in full 
face. Over her light brown hair and wrapped about her shoulders is a 
filmy drapery of lace and her hands are clasped on her breast. Back- 
ground of tints of yellow, green and brown. 


Signed at the lower right, Hartamorr. 


The property of the late JosepH Eastman, New York. 


CLAUDE JOSEPH VERNET 


‘0 FrencH: 1714—1789 
) Ky “57—TIVOEL © | 
‘ 4 50 Height, 223/, inches; length, 2934, inches 


THE picturesque town of Tivoli, in Italy, appears in sunlight on a hill 
in the upper part of the composition while a steep wooded slope, in the 
left foreground, and a stream and trees, on the right, are in shadow. 
In right foreground, two female figures and a white dog; sky of cumulus 
clouds and blue. : 


Purchased from the late T. J. Blakeslee, New York. 


Property of the Estate of the late I. O. Rutnes, New York. 


JOSEPH WOODWELL 


) ie = AMERICAN: CONTEMPORARY 


_.  88-AUTUMN LANDSCAPE Plt we) | 
, / b 0 ; Height, 20 mches; length, 30 imches ; f. q | 


A marsuy field with autumn wild flowers fills the foreground and at 
right is an oak with gnarled and broken branches. In the middle dis- 
tance, illumined by a shaft of sunlight, are a building with white walls 
and a group of trees with red, brown and yellow foliage. Sky of tumul- 
tuous gray clouds. 

Signed at the lower right, J. Woopwett. 


Property of the Estate of the late Henry J. Heinz, Pittsburgh, Pa. 


BENJAMIN WILLIAM LEADER, R.A. 


Bririsu: 1831— 


59 THE END OF THE DAY CT Se 
se 


67 a Height, 20 inches; length, 30 inches 
i Ne. Clr 


Aw English rural scene with a man following three work horses passing 
in single file through a gate, at right, after the day’s toil in the fields. 
In the middle distance appears the farm house, haystacks and trees 
with a flock of blackbirds rising in flight. Evening sky of pale blue and 
warm white with notes of orange pink at the horizon. 


Signed at the lower left, B. W. Leaver, and dated 1898. 


Property of the Estate of the late SamuEL Owens, Senior, Pittsburgh, 
Pennsylvania, to be sold by order of The Union Trust Company of 
Pittsburgh, Executor. 


adi a ee al ar me 


HENRI LEROLLE 


Frencu: 1851— 


60—A FARM IN FRANCE ; Wood 


Height, 2514 inches; width, 254 inches 
as 


On the right, a building with roof of red tiles and a woman A sanding 
near the door; in the foreground, piles of loose hay and a walled drink- — 
ing place for live stock; fields and a Bees in distance ; sky of clouds | 
and blue. | 


Signed at the pes right H. isa. 
MICOS! from the late T. J. Blakeslee, New York. 


Property of the Estate x the late I. O. Runes New York. 


JEAN FRANCOIS RAFFAELLI 


Frencu: 1845— 


61—IN A MOORISH GARDEN 


| 


DB re K Height, 2314 inches; length, 36 inches . 


AGA, 
; 
Hatr a dozen of the ladies of the acon are seen seated on rugs s 
on the grass in the garden of a palace, the doorway of which ap 
on the right, and attended by black female slaves and three eunu 
with musical instruments. One of the slaves is standing with arms 
stretched and tame birds are lighting on her hand. In the distz nce, 
white buildings and the sea; blue sky with small white ‘clouds. a ; 


Signed at the lower left, J. FE. Rareainas, and dated a 


From the Judge Henry Hilton ection, An Mean. Sint Associati OM 
New York, 1900.-KAK+ 6/04 17 ee. 2S YG 


Property of the Estate of the late Henry J. Wierer enoa Pa. 


YA Z 
a 


_ over the summit, which is enclosed with oaks. 


[_S> esos en ip SR eect GRA SR 


CHARLES EMILE JACQUE 


Frencu: 1813—1894 | 


62—THE SHEPHERD 


Se eee 


9 / ob. Height, 32 inches; width, 253/, inc 


Tue light sprinkles the silvery trunks and filters through fe foliage Onna 
three oaks which occupy a knoll where a shepherd is watching his flock. 
Clad in a soft drab hat, pale blue blouse and olive-green trousers, the 
man stands in front of the middle tree, leaning forward onto his stick. 
His dog sits with his back to the spectator, watching three yearling 
lambs, one of which eyes him cautiously. Other sheep are scattered 


Signed at the lower left, Cu. a Sa 
Collection Dr. Fournier, Paris. 


From the Herman Schaus Sale, American Art Association, New York, 


ee 1912. -#289- 3/00~ 4b. em oe 
To be sod to close an Estate. 


Sapp aen Se 
Smee ? 


EMILE VAN MARCKE 
Frencu: 1827—1890 


63—COWS IN PASTURE oes Fo Weer) 
. Height, 271 inches; length, 3934 inches 1 
OO, 


An important example, of the Tréfort period covering the best work of — 
the French master, depicting in the foreground three fine cows, white, — 
black and dark red, standing in a shallow pool. Beyond are level, green — 
pasture fields bordered, in the left middle distance, by trees in summer 
foliage, and other groups of cattle grazing. Sky of gray and white ~~ 
clouds with spaces of blue. | , .g 


Signed at the lower left, Ex. Vaw Mancxe. — 


The property. of the late J osuPHi Eastman, New York. 


MK 095% (bug hi Me Mehny Cae tag 1182. Loa MM 
dela MA. ledges Dh hl PIKAXK j 
MK. K265%, Vlernen 4 tA. Alger ee fbi «a Lore ( 


dA. Limethy b. Citelsc an ee Sofybt2 


SY 


WILL H. LOW, N.A. 
AMERICAN: 1853— 


(64 THE HARV EST PROCESSION 


Height, 19 inches; aoa 31 ete WA 


a Ne ey SE Gk. Sa SOR Re a 


In the left foreground three figures, two young girls bearing baskets of | 
fruits and a young man playing the pipes, are coming forward through 
a field of ripe wheat. A little way back of them comes another group 
of three and still farther away, at right, are three other figures, seen 
over the standing grain. The costumes are of classic Greek design and 
of various colors, pink, blue, lilac and green. Over all is a sky of gray 
clouds and blue. 


Signed at the lower right, Wit. H. Low, and dated 1893. 
From the William T’. Evans Sale, American Art Association, 1900. 25+ 


Property of a Private Owner. Y 


‘| () CHARLES EMILE JACQUE 


Frencu: 1813—1894_. 


feetoangeg or 5 --aeeipenemene meeren sien 


E RETURNING FLOCK 
Height, 32 inches; width, 26 inches 


Mia "oe 


Finiine the entire foreground, except for a space on the right where 
are seen the watchful shepherd in blue smock and his dog, is a great 
flock of sheep advancing toward the spectator, some with heads raised 
and others, back of the shepherd, cropping the green grass. On the a 
right, oak trees and at left a stretch of country; sky of soe with a 
spaces of blue. q 


Se eee 


ESSENSE RET ec 


Signed at the ote ghE Ca. asc 
From the Sale of “Works of Famous Painters,” New York, 1899. 


Property of a Private Owner. 


C) GEORGE HENRY BOUGHTON, N.A., R.A. 
AMERICAN: 1834—1905 


66—COUNTRY LIFE IN ENGLAND Y ig 


Height, 30 inches; width, 25 inches 


A tapy, with fur-trimmed coat and muff, all of tints of dull red, pink 
and gray, is seen in the foreground walking with a little girl who carries 
a kitten in her arms and whose garments are of a darker red. Back of 
them, on a roadway, are an old man and woman of the peasantry and 
beyond lies a snow covered landscape. 


Signed at the lower right, G. H. Boucuton, and dated ’85. 


The property of the late JosErH Eastman, New York. 


aN = Height, 4514 inches; width, 30 inches ae A 


| 


ALBERT EDELFELT 
Finnisyo: 1854—1905 


67—IN THE GARDEN pB 


A LiTTLe girl with pensive expression wearing a white dress with blue 
sash and a large hat of dark blue standing in full face on the path of a 
garden of a French country house. In her hand she holds a nosegay 
of red, pink and white. 


Signed at the lower right, A. EpELFELT, and dated, Paris, 1882. 
The property of the late JosEpH Eastman, New York. 


MK 182 -~ aay bulla, Vario Lh $82 _,Geo WMXX > 


Hold Lanhey b Crctivar Bee sefph82,- BAMSK — 


4\° 


\” Signed at the lower right, W. Boveverrav, and dated 1905. a 
ww ; / 3 er _ 
NL. ’ Property of a Private Owner. 


WILLIAM ADOLPHE BOUGUEREAU 


Frencu: 1825-—1905 2a f 


fore TING 


1S. ee 3414 inches; width, 23 es vy) 1a 


A THREE-QUARTERS length figure, seated to left, of a little a with right | 
brown hair and blue eyes wearing a white bodice and blue skirt and — 
holding a wild flower in her right hand while the left hand rests on a j 
stone block on which she is seated. In the background are mountain 
tops and gray sky. One of the last oS of Ae Master, Gnished 4 in the 
last year of his life. . = ah 4 


NN rs er 


1 i 
1 
1 
a 
i 
i 


WILLIAM TROST RICHARDS 
(Honorary Member of the National Academy of Design) 
American: 1833—1905 


Z 0 69—_MARINE 


| 1) (Water Color) 

= a 7 0, Height, 30 inches; width, 25 inches 
Own the right appears a high and rocky onl MALS which the sea, 
filling the foreground and left of the picture, rolls in and breaks into ~ 
spray. Over all, a high sky of gray clouds with an opening in the 

upper portion which reveals the blue. 


Signed at the lower left, Wm. 'T. Ricuarps, and dated ’96. 


Th vroperty of the late JoserpH Kastman, New York. 


JOHN GEORGE BROWN, N.A. 
American: 1831—1913 


70—AN INDUSTRIOUS FAMILY 


C) | 
| 2 Height, 25 inches; length, 30, inches g il ‘ 
0. tho. 4 


Five children, three little girls and two boys, are depicted in a sunny 
dooryard with a piece of squared timber resting on a sawhorse. On 
the left of the group one of the boys and a girl, the latter seen in back 
| view, are pushing a crosscut saw while another boy steadies the log 
and two little girls are seated on the farther end to maintain its bal- 
ance. A hen coop on the right, and the house door, at upper left, with 
the mother looking on, complete the scene. 


Signed at the lower left, J. G. Brown, N.A., and dated 1905. . 
From the J. G. Brown Sale, New York, 1914. Ko /bS- Bf 


Property of the Estate of the late Henry J. Heinz, Pittsburgh, Pa. 


SIR WILLIAM BEECHEY 


Britisu: 1753—1839 


a 


- M11—LADY CHARLOTTE JOHNSON 4O O 
Height, 36 inches; width, 28 “A 


; _ Porrrair of a lady about thirty, three-quarters length, seated, in kUTTS 
2 4 quarters to left. Gray, curling hair, bound with white filet, V-neck 

fa white gown trimmed with lace, blue girdle, brown cloak over right 

3 shoulder. Right hand holding small book, left arm resting on arm of 

____ chair; background of dark sky. 


| is Property of the Estate of the late Henry J. Hetnz, Pittsburgh, F :. 


‘= 

. a | 

: i SIR GODFREY KNELLER 

t Britisu: 1646—1725 

Be x9 eT aces: 
| 72—ANN HYDE, DUCHESS OF YORK Pay, 

| : : | Height, 4034 inches; width, 3214 inches 


475" Shor.&F 
 THren-quarrers length seated figure of a lady about twenty-three; ea 


____ brown hair, dressed high, blue eyes; low gown of blue with under bodice 
and sleeves of white; head in three-quarters to left, body to front, right 
hand caressing spaniel, left hand holding drapery. 


Purchased from the late T. J. Blakeslee. 


Property of the Estate of the late I. O. Runes, New York. 


oe 


LOS 0+ ee : 3S Oo 


Hatr-teneru of an elderly lady, seated in full face, her hands. tae 
on a book bound in red and gold and holding her steel framed Spec- * 
tacles; white cap with fluted frill; loose, black fur trimmed jacket, — 
white bodice and black skirt ; dark red background. 


SIR HENRY Re 


Brrrisu: 1756—1 823 


73—THE : HON ORABLE MRS. BUSHELL 
Height, 30 inches; width. 25 EAN: | re: 


tf 


Exhibited at the Raeburn Exhibition, Edinburgh, 1876, under the 


anonymous title, “The Old nee with the Large Cape. 


Praised by Robert Louis Stevenson in “Virginibu Puerisque,” im the — 


essay, “Some Portraits by Raeburn” 


“There are some capital old women . . . such as Mrs. Colin Campbell of Park, 


or the anonymous ‘Old Lady with a Large Cap,’ which are done in the same frank, 


perspicacious spirit as the very best of his men. He could look into their eyes with- 4 
out trouble; and he was not withheld by any bashful sentimentalism from recogniz- — ‘ 


ing what he saw there and unsparingly putting it down upon canvas.” — 


From the sale of the Collection of G. F.,W. Hood, wae: ndon, American 
Art Association, ne ae bao, | i 


Property of the Estate of the late Henry J. Herz, Pittsburgh, Pa, 


ISLES RIGS AEN MAR - 


= PRE LS RES 


LOUIS JEAN FRAN cors LAGRENEE 


Puen 1724—1 805 


ln a) 74—HEMPRESS ELIZABETH OF RUSSIA 


Height, 56 inches; width, 39 inches 


Portrarr in three- -quarters length, standing, to aa e head in 
nearly full-face view, of the Empress Elizabeth of Russia at about the - e 
age of between twenty-five and thirty ; powdered hair with pearl orna- 
ments, jewelled eardrops and necklace; low gown of costly stuffs with 
ermine borders and trimmings of lace; pearls on wrists and string of 
pearls around waist, falling to knees, and large pearl ornament pendent 
at end; left hand resting on imperial crown on blue and gold cushion, 
at right; right arm at side with hand lightly holding edge of overskirt. 
Dark pipe aa background with pillar at na | 


To be sold to close an Estate. 


= 4 pr aems TR ek eS ee oe, Sg NN EEE Eee eee - —_ = = ~~ 


= i . - 
aed Katey 


0 | Y ee 1845—1902 


H  '15—THE CAPTIVES 


ae | 2, (Panel) Pr . : 


Height, 48 inches; width, 31 inches — 


Tue interior of a Moorish palace with tiled walls of elaborate design - 
and fine decorative effect. In the spacious apartment in the fore-s 
ground, on the floor of which is a large rug, are three female figures 


one mostly nude lying at full length and the other two, clad in rich ger a 


ments, reposing on cushions, In the triple arched doorway leading to — 
a sunlit court stands a bearded man on guard, bolas a sword before 
him with both hands, 
Signed at fe one left, Bess —Constawr. | 


Property of a Petite Owner. 


= WALTER LAUNT PA 


a 


Anrenican ; 1854— ose i Ag ude 


76—WINTER SUNSET 


aT pa poe 
3 “9. — Height, 384% inches; width, 24% inch 


Looxine westward from the ater of a forest 
pine framing the vista the picture presents a view ( 
glowing with tints of red, yellow and blue, which is 
frozen surface of the snow. pee Upyat: the left, i is | 

new moon. | 


om 


Ses 
Ke) 
3 
d 
Q 
ag 

i 
Po rete 
; ae 
~~ 
5 
S 


To be sold to close an Estate. | ° 


it REE OTS 


)O ALY RED WORDSWORTH THOMPSON, N A. 


AMERICAN: 1840—1 896 


Sb MAY DAY, FIFTH AVENUE 


Height, 281/, inches; ie Adeshcren 


A scENnE on Fifth Avenue at Maun Square ii in the late seventies with | a 
the Worth Monument at left, Fifth Avenue extending northward, show- a 
ing the Brunswick Hotel and residences on East Twenty-sixth Street 
and the trees in the square on the right. Coming down the avenue and 
near the centre of the picture a four-in-hand coach is passing, and 
going northward are parties of equestrians and two of the old-time 
omnibuses. Numerous figures give further animation to the scene | 
and the whole, apart from its sterling artistic merit, constitutes a 
historical record of unique value. 


| Se | 
Signed at the lower right, Worpswortn THompson, and dated’80. 


The property of the late JosnrH Eastman, New York. 


ADOLF SCHREYER “aa 
German: 1828—1899 | 


78—COME HERE 


\\er 


V cD Héight, 46 inches: agen “ inches — 


rider are Aes rest os a man ont onde ie left an on * 
gesture to a bay colt which at a little distance ies his ene 


Signed at the lower right, Ap. s 


From the George I, Seney Sale, New York, 1891- i, ee Dp. 


f : . rat a harvest field where the golden wheat is standing i in shoe wit ca 


- sap) am Ps ie , 


ce LEON AUGUSTIN LHERMITTE : 


ae 


JG 9—THE REAPER’S LUN CH 


Frencu: > 1844— 


0 3 (SO, as 33 inches; length, 1 inches | 


a summer sky overhead of white and blue, a group Of figures is seen 


7 


in the foreground depicting a phase of French farm life. The young — 
/farmer, with loose white shirt, blue jeans, belt and straw hat, stands. 


} erect as he takes a draught from an earthen jug, and seated on a 
sheaf beside him is his buxom young wife with her baby on her lap, 


1s nearby. % 


Signed at the lower left, L. Lyerarrre, and dated 1890. 


From the Herman ee Sale, American Art Association, New York, 


He ae LOLs KEG MNS00 4 A - ee 7 


To be Sold to Close an Estate, 


-while a little girl is stretched out on the ae and a basket of brea P | 


y 
\b 


. 
: 


\Qae rushy water of the pool fills the foreground. In the centre of it : 


MARIE DIETERLE 


Frenco: 1860— | ze . 
VETANG DE JOBE, NORMANDIE 


| Height, 3034 inches; lengthy 401% inches, — 


é 


stands, three-quarters to the left,.a handsome, rather shaggy, brown- 
red cow, with a white face and a white spot on her back. Under her _ 
head appears the white face, lowered to the water, of a reddish-yellow 
cow. Farther back, near the bank, a yellow calf stands in advance of a 
fawn cow and beside a white one. The background at the left is enclosed he 
with loosely massed foliage of a faint green, cre to dose ah as ow 
the trees recede. ) 


y 


arse at the lower right, Marie Drérerie. | 


From the Herman Ree Sule American Art Association, New York, ; 


January, ae Ii Shoo. Za. A i 


T'o be sold to nee: an Estate. 


CS MARTIN RICO 
SPANISH: Brrorr 1850—1908 aS 


—VENICE — Me a ne 

Height, 32 inches; length, 491% inches | om 
\) eres SUNNY, noonday view in Venice depicting a alee with = 
\ facade, at left, and a paved square in front of it with steps leading — 
down to the blue waters in the right foreground. In the distance, at — 
right, a multitude of boats and vessels of all kinds and the buildings ofa 
the city with domes and towers. The green foliage of trees in an enclos- _ 
ure near the middle of the picture rises above the walls and forms ae 


color contrast to the prevailing whites, pinks, and Sea Blue sky d 
with some small white clouds. | . 


Sigten at the jou iat Rico. re 


Property of the Estate of the late Samurt Owens, Sentor, Pittrburgi 
Pennsylvania, to be sold by order of The Union: Trust Company os 
Pittsburgh, BGM IG Executor. eee 


JOSEPH MALLORD WILLIAM TURNER, RA. 
nents 1775-1851 LY | 
i 


82_DUNSTANBOROUGH CASTLE (circa 1880 


q 
Height, 1814, inches; length, 271% inches 


3 Ot oS ne 


Tue ruins of the Auge and rambling fourteenth century Newhall ag 
land castle pile and the two-tower keep stand dominant on a broad and 
treeless plateau at the edge of a restless sea, whose waters in the fore- 
ground swish tumultuously amid outstanding cliffs, gray and brown : a 
and iron-red, and surfaced with greenish moss growths. Here in the ~ 
smother a ship drives upon the rocks. High above are the spacious Si 
and receding ruins, colorful in the vegetation and atmosphere of decay, _ 
accented by subtle and transparent shadows, the whole enveloped—_ 4 
castle, cliffs and distant clouds—in a delicate chromatic radiance from | = 
a sun itself not seen. 3 ee ae 


a nc 7 
Pi 


Exhibited ny Thomas Agnew & Sons at the Corporation of London 
Loan Ewhibition (“of works of Turner and a selection of examples — 
by some of his contemporaries’’) at the Guildhall, London, 1899.- 

Engraved by R. Brandard. og ee : Bak 4 | 


Reprouncae in Sir Walter pie “Turner,” 


Stan bbe ey ae aot Ie. t eee 


fasts the prwate llection of the late E. F. Millikin, New York. 


Pid by fhe’ late E. F. Mita to his sister, for whose account —— 
the painting is to be sold. ; 


Sl ak bferalien Hopdon Mag 4) 902 (leap LL nitllen b Z 4 
o-K8- K S61 4 4 


FELIX ZIEM 
: Totnes ise1 am ee 

883—PISHING BOATS NEAR MARSEILLE 

Height, 32 inches; length, 50 inches 


Tux broad blue sea—the Mediterranean gulf in flat calm—has a green-— ; 
ish tinge in a fading light, and it fills the greater part of the picture— 4 
all of the foreground and middle distance, reaching back to a moun-— 
tainous shore of sandy-red slopes and gray-violet shadows, under a soft — 
cloud-haze and a darkening blue sky. In the foreground many Mediter- 
ranean fishermen are busy with their boats and nets, and the agitation — 
moves the surface of the waters in gentle ripples, varying its color 
tones, while the boats and net-buoys yield shadows, and masts and sails } 
contribute reflections. ‘Toward the right two boats with lateen sails 
form a group with many men aboard and others in small boats crowd- 
ing round, the tall sail of one craft catching the lessening sunlight and _ 
by reflection illumining the busy workers. Toward the left the fishers 
are in double-ender small boats—one marked “Lina 57”’—and at the ~ 
lower left some rust-brown rocks come into view. In the far distance at _ 
left, toward the receding shore line, a single small white sail. ‘4 


Sioa at the lower left, ZIEM. 
Property of the Estate of the late Joun B. Trevor, New Vous 
To be sold by order of the United States Trust Company, Erecutonm ; 


+15 


ob 


A 


\ fi ee i? Height, 351% inches; length, 4614 inches 


a 


WILLIAM TROST RICHARDS 
- (Honorary Member of the National Academy of Design) 
AMERICAN: 1833—1905 


84H ARBOR ON THE COAST OF CORNWALL 


Height, 28 inches; length, 45 inches Ae 
“P.O WATER 


Strep, rocky cliffs with scant herbage on the heights occupy the left 
foreground and stretch away in the misty distance to a point near the 
right of the canvas. Sweeping into the foreground and filling the right 
of the picture is the green sea in quiet movement, the low waves s rolling . 
in and spreading as they break with light spray. 


Signed at the lower left, Wm. 'T. Ricuarps, and dated 1883. 
FrouNthg Sayites A Garland Salerd0gg. 
From the Warren Shelburne Sale, New York, 1909 StS. ¥f $007 1} a Mo 


Property of the Estate of the late Henry J. Herz, Pittsburgh, Pa. 


LEON VICTOR DUPRE 
(Brother of Jules Dupré) 
Frencu: 1816—1879 


85—_LANDSCAPE WITH CATTLE (2d. Af attiel 


Avr a pool in the central foreground three cows have been brought to 
drink by a peasant woman whose farm house is seen in the right middle 
distance. At left, beside the pool, is a tree with heavily foliaged 
branches reaching up to the top of the picture. Sky of clouds with 
small spaces of blue. 


Signed at the lower left, Victor Dupre, and dated 1877. 


The property of the late JosepH Eastman, New York. 


MWBLIE 


Sola. demolhay b. Castner bce 882 ~ Je EXK 


ALEXANDRE CABANEL 


Frencu: 1823—1889 


— 
86—_REBECCA 4 oO 


d 


yl 50, Height, 40 inches; width, 28 ate / 
_. A youne woman of Eastern type, with black G. falling from Ci a 


_ turban over her shoulders and wearing a loose garment of white with an 
ample sash of brown-pink, is walking forward over a sandy plain fol- 
lowed by the foremost of her flock of sheep, seen on the right of the 
picture. Beyond rises a mountain and overhead is a clear evening sky. 
The graceful figure holding a light branch of a tree over her shoulders 
is admirably drawn and the color scheme of the whole is both of agree- 

able tone and true to the locality. 


Signed at the lower left, ALEX. CABANEL, and dated 1884. 
From the George I. Seney Sale, New York, 1891. /56 mA f/oco+ 


The property of the late JosrpH Eastman, New York. 


WALTER LAUNT PALMER, N.A. 
| AmeERICAN: 1854— 


, J, 
| 


87 WINTER LANDSCAPE 45 is 


: Height, 40 inches; width, 24 inches - i 
50. BO. Verney | 


In the foreground, at the foot of a slope covered deep with snow, are 
the waters of a little brook which disappear beneath a ledge. Above, 
is a group of pine trees, their trunks casting blue shadows, and beyond 
is a clear winter sky of tempered blue. 


Signed at the lower left, W. L. Patmer. 


T'o be sold to close an Estate. 


ere ~ 


Ys 


A HENRI DE BEUL ~ 
() piste) OF Pe cee Beraran: ConteMPorary ba: ie 


88—IN THE BARNYARD 2 op * Ut 
[60 ie PN ES Height, 43 inches; ‘width, 32 inches” 


Two sheep and a lamb in the shade of a reat tree with fale about 
them, in a corner of a pasture lot. In be ero bushes pecs and — 


a sky of clouds and blue. 
_ Signed at the lower ale H. DE Brvr, and dated 1882. 


T'o be sold to aoe an Estate. 


COLIN HUNTER, A.R.A. 


Britiso: 1842— 


\) 89_-THE FISHERMAN 


Height, 29%4 inches; ae inches /) 


Drawn up on the beach in the right foreground is a yawl and a fisher- 
man stepping over its side brings from the boat part of the catch while 
another toiler of the sea is leaning over to get out some more. At left, _ 
5, on the beach, is a pile of fish and trappings. The coast sweeps ina 
‘ curve around the left of the picture and the sea extends to the nee al 

the whole forcibly depicted. 


Signed at the lower right, Cotiy Hunter, and data 1877. 


The property of the late JoserpH Eastman, New York. 


DANIEL RIDGWAY KNIGHT 


AMERICAN: 1845— 
Q 
() “90—BANKS OF A RIVER 


\ Height, 461% inches; — 37 inches 
Amip flowering chrysanthemums on a high bank above-a river stands a 
French peasant girl. Her light hair is uncovered and she wears a 
light purple cloak. The river curves away to the right with a wide 
sweep, and poplar trees are scattered along the banks. 


Signed at the lower right, Rireway Knicut, Paris. 
Property of the Estate of the late Samuet Owens, Senior, Pittsburgh, 


Pennsylvania, to be sold by order of The Union Trust Company of 
Pittsburgh, Pennsyloania, Executor. 


91_EVE IN DESPAIR 


(Sculpture in Statuary Marble) 


e Height, 68 inches. Base: Width, 30 inches; depth, 34 a, Q Ta 


A LIFE-sIzE nude figure of Eve, standing with weight on the right leg. 
The head and shoulders are inclined forward with arms enfolding the 

head and the face concealed by the heavy hair. A work of prime 
importance by the celebrated French master. 


; 4 Gees 


ie _ Executed to order for the late owner. 


Property of the Estate of the late Samurt P. Corr, to be sold by 
order of The Industrial Trust Company of Providence, Rhode 
Island, Trustee. 


Note: The commission for the above sculpture was placed with Rodin 
by the late owner, Mr. Samver P. Corr in 1906, but the sculpture was not de- 
livered until 1915, nine years later. 


(On Exhibition in Maw Hall) 
(Illustrated—See Frontispiece) 


AMERICAN ART ASSOCIATION, 


MANAGERS. 


THOMAS E. KIRBY, 


AUCTIONEER. 


+ 
¥ 


CS LILES EDICT aE SS 


T OF ARTISTS REPRESENTED 


+ & 


LIST OF ARTISTS REPRESENTED | 
AND THEIR WORKS a 


eee 
BANFFE, V. 
| Windmill in Holland | 30 
_ . BEATTY, Joun Wesiry 
New England Landscape 37 | 
BEECHEY, Sir Witt i, 
Lady Charlotte Johnson 71 
BENJAMIN-CONSTANT, Jean Joseru 
The Captives 75 
BEUL, Henri bE 
In the Barnyard 88 
BOCK, THEOPHILE DE 
Landscape in Holland 22 
- BONHEUR, Rosa 
Highland Landscape and Sheep 14 
BOUGHTON, Grorct Henry, N.A., R.A. 
Country Life in England 66 
BOUGUEREAU, Wuiu1AmM ADOLPHE 
Resting 68 
BRIDGMAN, Freperic Arruur, N.A. 


The Pet Cat 49 


BROWN, Joun Georce, N.A. 
An Industrious Family | 70 


CABANEL, ALEXANDRE 


Rebecca 


CASANOVA Y ESTORACH, Antonio 
The Unexpected Visit 


CAZIN, JEAN CHARLES 
Farm near Ecouen 
Gathering the Crop 


CLAYS, PauL JEAN CHARLES 
Leaving the Harbor 


COROT, JEAN Baptiste CAMILLE 
Landscape and Figures 


Landscape with Figures and River View 


COUTURE, THomas 
Portrait Study 


DAUBIGNY, CuHartes FRANCOIS 
The Creek 
On the Oise 


DECAMPS, ALEXANDRE GABRIEL 
The Approaching Storm 


DETTI, CrEsArE 
The Cardinal Passes 


DIAZ DE LA PENA, NarcissE VirGILe 
Love ‘Triumphant 


DIETERLE, Marte 
L’Etang de Jobe, Normandie 


CATALOGUE 
NUMBER 


86 
98 


39 


53 
36 
16 
19 


44. 


17 
4] 


5A 


18 


80 


is 


CATALOGUE 
NUMBER 


DUPRE, Jutzs 


Marine : 32 
DUPRE, Juuien 

Shepherdess and Sheep 35 
DUPRE, Leon Victor 

Landscape with Cattle 85 
EAST, Sir Atrrep, R.A. 

Dordrecht, Holland 8 
EDELFELT, Apert 

In the Garden | 67 
GELDER, ARENT DE 

Portrait of a Young Man 46 
HALS, Dink | 

Portrait of a Man 28 
HARLAMOFF, ALeExis 

Little Girl in White | 56 
HARPIGNIES, Henri Joseryu 

Landscape with Church 3 
HENNER, JEAn JACQUES 

Nymph 4 


Female Head 
HENRY, Epwarp Lampson, N.A. 


The Weekly Paper 13 
HUNTER, Coun, 4.R.A. 

The Fisherman 89 
JACQUE, CHARLES Emir 

Landscape and Sheep 2 

The Shepherd ; 62 


The Returning Flock / = 65 


KNELLER, Sir Goprrry 
Ann Hyde, Duchess of York 


KNIGHT, Danitet Ringway 
Morning ‘Tasks 
Banks of a River 


LAGRENEE, Louts JEAN FRANCOIS 
Empress Elizabeth of Russia 


LAMBINET, Emite 
A Brittany Landscape 


LAWRENCE, Str Tuomas, P.R.A. 


Princess Metternich 


LEADER, Brensamin Wiis, &.A. 
The End of the Day 


LELY, Sir PETER 


Lady of the Court of Charles II. 


LEPINE, STANISLAS 
French Landscape 


LEROLLE, Henri 
Morning at the Farm 
A Farm in France 


LHERMITTE, Lion Aveustin 
The Reaper’s Lunch 


LOW, Wit. H., N.A. 
The Portrait 
The Harvest Procession 


CATALOGUE _ 
NUMBER | 


72 


38 
90 


74 


15 


24 


59 


25 


10 


79 


Pe So 


CATALOGUE 


MANTON, W. ee 
Portrait of J.-B. C. Corot — 9 
MARIS, WitLem 
Milking Time 21 
MAUVE, Anton 
Gathering Wood 20 
Homeward Bound 31 
Cows Coming Home 33 
Sheep in Pasture: Holland 4.2 


MEISSONIER, Cuares 


Mine Ease in Mine Inn 1 


MICHEL, Gxorers 
Landscape 50 


NEUVILLE, Sage DE 


On Guard 5 
PALMER, Watrer Lavunt, N.A. 

Winter Sunset 76 

Winter Landscape 87 


PERRET, Aime 
The Vintage Harvest 55 


RAEBURN, Sir HEnNry | 
The Honorable Mrs. Bushell 73 


RAFFAELLI, Juan Francois 
In a Moorish Garden 61 


RICHARDS, Wuu1am Trost 
Marine 69 
Harbor on the Coast of Cornwall 84. 


CATALOGUE 
NUMBER 


RICHET, Lton } 
Forest Landscape 34 


RICO, Martin 
Venice : 6 
Venice | 81 


ROBIE, JEAN BAPTISTE 
Flowers and Fruit 48 


RODIN, AUGUSTE 
Eve in Despair 910s 


ROUSSEAU, THroporE PIERRE ETIENNE 
Landscape near Fontainebleau 40 


SCHREYER, ApoLr 
Come Here 78 


THOMPSON, AxLrrep WorpswortH, N.A. 
A May Day, Fifth Avenue ih 


TURNER, JoserH Matitorp Wituiam, F&.A. 
Dunstanborough Castle (circa 1800) 82 


UNKNOWN EARLY DUTCH MASTER | 
The Music Lesson 11 


VAN CEULIN, Cornenis JANSSENS 
Portrait of King James I. 26 


VAN DYKE, Str ANTHONY 
A Cardinal A7 


VAN ESSEN, Jan 
Holland Landscape 29 


VA \N. MARCKE, Eire 
e. Cattle in Pasture 


ee. i _ Cows in Pasture 


‘eS 
_VERNET, Cite J OSEPH 


pS Tivoli 
| WALKER, Henry Outver, N.A. 
on a The Boy and the Muse 


ne 
7 


- WOODWELL, JOSEPH 
Si Autumn Landscape 


ane 


: ‘ZIEM, War - 
Fishing Boats near frarseille 


_ZUCCARO, Fu ERICO 
Portrait of a Lady 


CATALOGUE 
NUMBER 


12 
63 


57 


58 


83 


27 


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